By reconstructing the human drama behind the composition of these poems, Wu shows that writing under imperial command could be a matter of grave consequence. The poets' work could determine the rise and fall of careers, or even cost lives. While panegyric poetry has been largely dismissed as perfunctory and insincere, such poems reveal much about the relations between monarchs and the intellectuals they patronized and also compels us to reexamine the canonical Chinese notion of poetic production as personal, spontaneous expression.
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