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  • Format: ePub

It's harder to kill people when there's a peace process on.

Ulster Loyalist Alan Black is kept awake every night by his neighbour McCorrick's dog barking. To add to his difficulties, McCorrick refuses to acknowledge that he even owns a dog, let alone one that is creating a disturbance.
In a Northern Ireland he barely recognises, where politics has proved just to be the continuation of war by other means, a disconsolate Alan sets out to rid himself of the incessant noise. As he seeks help from authority figures, he finally - as a very last resort - turns to the only voice he can
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Produktbeschreibung
It's harder to kill people when there's a peace process on.

Ulster Loyalist Alan Black is kept awake every night by his neighbour McCorrick's dog barking. To add to his difficulties, McCorrick refuses to acknowledge that he even owns a dog, let alone one that is creating a disturbance.

In a Northern Ireland he barely recognises, where politics has proved just to be the continuation of war by other means, a disconsolate Alan sets out to rid himself of the incessant noise. As he seeks help from authority figures, he finally - as a very last resort - turns to the only voice he can really trust, Eamonn Holmes...

Coinciding with the 100th anniversary of the partition of Ireland and the foundation of Northern Ireland, Yes So I Said Yes is a blackly comic, ferocious, dystopian satire about what it's like to feel alone in a place where everyone else is conspiring to erase you and your history.

This edition was published to coincide with the production at London's Finborough Theatre in November 2021.
Autorenporträt
David Ireland is from Belfast and trained as an actor at the Royal Scottish Academy of Music and Drama. His first play, WHAT THE ANIMALS SAY, was produced at Oran Mor, Glasgow in 2009. His other plays include EVERYTHING BETWEEN US (Tinderbox, Belfast) which won the Stewart Parker Award and the Meyer-Whitworth Award, THE END OF HOPE (Oran Mor), HALF A GLASS OF WATER (Field Day), YES SO I SAID YES (Ransom Productions, Belfast), CAN'T FORGET ABOUT YOU (Lyric, Belfast) and I PROMISE YOU SEX AND VIOLENCE (Northern Stage, Newcastle). In 2015, he adapted Lorca's BLOOD WEDDING for Dundee Rep and Graeae.

His 2016 play CYPRUS AVENUE (Royal Court London/Abbey Theatre Dublin/Public Theatre NYC) won the Irish Times Award for Best New Play and the James Tait Black Award for Drama and in 2018 ULSTER AMERICAN (Traverse, Edinburgh) won a Scotsman Fringe First, the Carol Tambor Best of Edinburgh award and the Critics Award for Theatre in Scotland Award for Best New Play.
He lives in Glasgow with his wife Jennifer and his children Ada and Elijah.