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"Yonder" is a 1912 novel written by E. H. Young. Emily Hilda Daniell (1880-1949) was an English children's writer, novelist, mountaineer, and advocate for female suffrage who wrote under the pen name E. H. Young. Despite being almost completely unheard of now, Daniell was a celebrated author who produced numerous best sellers during her time. Her second novel, "Yonder" constitutes a must-read for those who have read and enjoyed other works by Daniell and would make for a worthy addition to any bookshelf. Other works by this author include: "Corn of Wheat" (1910), "A Bridge Dividing" (1922),…mehr
"Yonder" is a 1912 novel written by E. H. Young. Emily Hilda Daniell (1880-1949) was an English children's writer, novelist, mountaineer, and advocate for female suffrage who wrote under the pen name E. H. Young. Despite being almost completely unheard of now, Daniell was a celebrated author who produced numerous best sellers during her time. Her second novel, "Yonder" constitutes a must-read for those who have read and enjoyed other works by Daniell and would make for a worthy addition to any bookshelf. Other works by this author include: "Corn of Wheat" (1910), "A Bridge Dividing" (1922), and "Moor Fires" (1916). Read & Co. Books is republishing this classic novel now in a new edition complete with a new specially-commissioned biography of the author.
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Autorenporträt
E. H. Young, born Emily Hilda Young (1880-1949), was a distinguished British novelist renowned for her keen observation, wit, and insight into the lives of middle-class families, which she explored with psychological depth and a touch of irony. Best known for her William novels and the poignant 'Miss Mole' which won the James Tait Black Memorial Prize in 1930, E. H. Young carved out a significant place for herself in early 20th-century literature. 'Yonder', one of her lesser-known works, once again demonstrates her mastery of character and setting, focusing on the nuances of family dynamics and personal growth within the context of social expectations. Young's literary style is marked by its narrative clarity and the subtle interplay between her characters' internal and external worlds, often revealing the complexities beneath the surface of seemingly ordinary lives. Her novels remain a testament to her skill in exploring the social fabric of her time and continue to attract readers and scholars interested in the evolution of the domestic novel and the portrayal of women's experiences in early twentieth-century England.
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