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This book traces Dàdàkúàdá's history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa,

Produktbeschreibung
This book traces Dàdàkúàdá's history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa,

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Abdul-Rasheed Na'Allah is Professor of English and Comparative Poetics and Vice-Chancellor of Kwara State University, Malete, Nigeria. He is co-author of Introduction to African Oral Literature and Performance (2005), and author of Africanity, Islamicity and Performativity (2009), African Discourse in Islam, Oral Traditions, and Performance (2010), Cultural Globalization And Plurality (2011), Globalization, Oral Performance and African Traditional Poetry (2018).