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You, The Choreographer offers a synthesis of histories, theories, philosophies, and creative practices across diverse genres of concert dance choreography. This book is designed for readers at every stage of creative development who seek to refine their artistic sensibility.
- Geräte: PC
- ohne Kopierschutz
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- Größe: 129.42MB
You, The Choreographer offers a synthesis of histories, theories, philosophies, and creative practices across diverse genres of concert dance choreography. This book is designed for readers at every stage of creative development who seek to refine their artistic sensibility.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 582
- Erscheinungstermin: 30. August 2023
- Englisch
- ISBN-13: 9781000782394
- Artikelnr.: 68301637
- Verlag: Taylor & Francis
- Seitenzahl: 582
- Erscheinungstermin: 30. August 2023
- Englisch
- ISBN-13: 9781000782394
- Artikelnr.: 68301637
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Vladimir Angelov is a choreographer, author, and the Executive Director of the International Consortium for Advancement in Choreography, Dance ICONS, Inc. - the International Choreographers' Organization and Networking Services, a global association for choreographers, based in Washington, D.C., USA.
Part 1: Time Travel
Choreographing Through the Ages 1: Stone Age: The Dawn of Dance
Choreographing Ritual 2. Ancient Age: Gods and Muses in Motion
Choreographing Art 3. Medieval Age: Leaping into Group Identity
Choreographing Symbol 4. Renaissance and Baroque Age: Waltzing Kingdoms
Choreographing Culture 5. Industrial Age: Dancing the Self
Choreographing Expression 6. Information Age: Turning Against the Norm
Choreographing Experimentation 7. Integral Age: Conceiving Progressive Coherency
Choreographing Integration Part 2: Mind and Muscle
The Body, Intellect, and Creative Spirit 8. The Moving Body as a Work of Art
Corpus Cognitus 9. Inside the Brain of the Choreographer
Dissection of a Glorious Mind 10. Handling Perfect Imperfections
Intuitive Craftsmanship Part 3: Concept and Context
Innovation, Intentionality and Individuality 11. Inventive Creativity
In Art, Everything is Possible 12. Framing Content and Sorting Concepts
Logistics of the Unlimited 13. Choreographic Individuality and Artistic Identity
The Search for Who I Am Part 4: Form and Formlessness
Generating Movement Material 14. The Emergence of Movement
First Crawl and Walk, then Run 15. Dance Improvisation
Embracing Choreographic Adventures 16. Choreographic Phrase
Diving into the Movement Flow Part 5: Process and Progress
Developing Movement Material 17. Choreographic Devices and Operations
Growing A Dance Garden 18. Structure and Restructure, Construct and Deconstruct
Architecting A Dance 19. Physical Dramaturgy
Making A Monument Out Of Movement Part 6: Sonic Swing
Dance the Music, Music the Dance 20. Are Music And Dance Best Friends Forever?
Melody In Motion 21. Seeking, Choosing and Working with the Music
Attract and Retract 22. Dancing Silence, Noise, Soundscape and Spoken Word
Body of Sound Part 7: Picture Perfect
Venture Follows Vision 23. Nurturing Semantics
Naming a Newborn Dance and Raising a Brand 24. Think Costumes, Lights, and Scenic Design
Piecing A Production 25. A Career in Choreography
Dancing Decisions Moving Forward
Choreographing Through the Ages 1: Stone Age: The Dawn of Dance
Choreographing Ritual 2. Ancient Age: Gods and Muses in Motion
Choreographing Art 3. Medieval Age: Leaping into Group Identity
Choreographing Symbol 4. Renaissance and Baroque Age: Waltzing Kingdoms
Choreographing Culture 5. Industrial Age: Dancing the Self
Choreographing Expression 6. Information Age: Turning Against the Norm
Choreographing Experimentation 7. Integral Age: Conceiving Progressive Coherency
Choreographing Integration Part 2: Mind and Muscle
The Body, Intellect, and Creative Spirit 8. The Moving Body as a Work of Art
Corpus Cognitus 9. Inside the Brain of the Choreographer
Dissection of a Glorious Mind 10. Handling Perfect Imperfections
Intuitive Craftsmanship Part 3: Concept and Context
Innovation, Intentionality and Individuality 11. Inventive Creativity
In Art, Everything is Possible 12. Framing Content and Sorting Concepts
Logistics of the Unlimited 13. Choreographic Individuality and Artistic Identity
The Search for Who I Am Part 4: Form and Formlessness
Generating Movement Material 14. The Emergence of Movement
First Crawl and Walk, then Run 15. Dance Improvisation
Embracing Choreographic Adventures 16. Choreographic Phrase
Diving into the Movement Flow Part 5: Process and Progress
Developing Movement Material 17. Choreographic Devices and Operations
Growing A Dance Garden 18. Structure and Restructure, Construct and Deconstruct
Architecting A Dance 19. Physical Dramaturgy
Making A Monument Out Of Movement Part 6: Sonic Swing
Dance the Music, Music the Dance 20. Are Music And Dance Best Friends Forever?
Melody In Motion 21. Seeking, Choosing and Working with the Music
Attract and Retract 22. Dancing Silence, Noise, Soundscape and Spoken Word
Body of Sound Part 7: Picture Perfect
Venture Follows Vision 23. Nurturing Semantics
Naming a Newborn Dance and Raising a Brand 24. Think Costumes, Lights, and Scenic Design
Piecing A Production 25. A Career in Choreography
Dancing Decisions Moving Forward
Part 1: Time Travel
Choreographing Through the Ages 1: Stone Age: The Dawn of Dance
Choreographing Ritual 2. Ancient Age: Gods and Muses in Motion
Choreographing Art 3. Medieval Age: Leaping into Group Identity
Choreographing Symbol 4. Renaissance and Baroque Age: Waltzing Kingdoms
Choreographing Culture 5. Industrial Age: Dancing the Self
Choreographing Expression 6. Information Age: Turning Against the Norm
Choreographing Experimentation 7. Integral Age: Conceiving Progressive Coherency
Choreographing Integration Part 2: Mind and Muscle
The Body, Intellect, and Creative Spirit 8. The Moving Body as a Work of Art
Corpus Cognitus 9. Inside the Brain of the Choreographer
Dissection of a Glorious Mind 10. Handling Perfect Imperfections
Intuitive Craftsmanship Part 3: Concept and Context
Innovation, Intentionality and Individuality 11. Inventive Creativity
In Art, Everything is Possible 12. Framing Content and Sorting Concepts
Logistics of the Unlimited 13. Choreographic Individuality and Artistic Identity
The Search for Who I Am Part 4: Form and Formlessness
Generating Movement Material 14. The Emergence of Movement
First Crawl and Walk, then Run 15. Dance Improvisation
Embracing Choreographic Adventures 16. Choreographic Phrase
Diving into the Movement Flow Part 5: Process and Progress
Developing Movement Material 17. Choreographic Devices and Operations
Growing A Dance Garden 18. Structure and Restructure, Construct and Deconstruct
Architecting A Dance 19. Physical Dramaturgy
Making A Monument Out Of Movement Part 6: Sonic Swing
Dance the Music, Music the Dance 20. Are Music And Dance Best Friends Forever?
Melody In Motion 21. Seeking, Choosing and Working with the Music
Attract and Retract 22. Dancing Silence, Noise, Soundscape and Spoken Word
Body of Sound Part 7: Picture Perfect
Venture Follows Vision 23. Nurturing Semantics
Naming a Newborn Dance and Raising a Brand 24. Think Costumes, Lights, and Scenic Design
Piecing A Production 25. A Career in Choreography
Dancing Decisions Moving Forward
Choreographing Through the Ages 1: Stone Age: The Dawn of Dance
Choreographing Ritual 2. Ancient Age: Gods and Muses in Motion
Choreographing Art 3. Medieval Age: Leaping into Group Identity
Choreographing Symbol 4. Renaissance and Baroque Age: Waltzing Kingdoms
Choreographing Culture 5. Industrial Age: Dancing the Self
Choreographing Expression 6. Information Age: Turning Against the Norm
Choreographing Experimentation 7. Integral Age: Conceiving Progressive Coherency
Choreographing Integration Part 2: Mind and Muscle
The Body, Intellect, and Creative Spirit 8. The Moving Body as a Work of Art
Corpus Cognitus 9. Inside the Brain of the Choreographer
Dissection of a Glorious Mind 10. Handling Perfect Imperfections
Intuitive Craftsmanship Part 3: Concept and Context
Innovation, Intentionality and Individuality 11. Inventive Creativity
In Art, Everything is Possible 12. Framing Content and Sorting Concepts
Logistics of the Unlimited 13. Choreographic Individuality and Artistic Identity
The Search for Who I Am Part 4: Form and Formlessness
Generating Movement Material 14. The Emergence of Movement
First Crawl and Walk, then Run 15. Dance Improvisation
Embracing Choreographic Adventures 16. Choreographic Phrase
Diving into the Movement Flow Part 5: Process and Progress
Developing Movement Material 17. Choreographic Devices and Operations
Growing A Dance Garden 18. Structure and Restructure, Construct and Deconstruct
Architecting A Dance 19. Physical Dramaturgy
Making A Monument Out Of Movement Part 6: Sonic Swing
Dance the Music, Music the Dance 20. Are Music And Dance Best Friends Forever?
Melody In Motion 21. Seeking, Choosing and Working with the Music
Attract and Retract 22. Dancing Silence, Noise, Soundscape and Spoken Word
Body of Sound Part 7: Picture Perfect
Venture Follows Vision 23. Nurturing Semantics
Naming a Newborn Dance and Raising a Brand 24. Think Costumes, Lights, and Scenic Design
Piecing A Production 25. A Career in Choreography
Dancing Decisions Moving Forward