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This book analyzes the music that young porteñas/os (the inhabitants of Buenos Aires, Argentina) actually listen to nowadays, which, contrary to well-entrenched stereotypes, is not tango but rock nacional, cumbiaand romantic music. Chapters examine the music and what the Argentinean youth use it to say about themselves.

Produktbeschreibung
This book analyzes the music that young porteñas/os (the inhabitants of Buenos Aires, Argentina) actually listen to nowadays, which, contrary to well-entrenched stereotypes, is not tango but rock nacional, cumbiaand romantic music. Chapters examine the music and what the Argentinean youth use it to say about themselves.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
PABLO FEDERICO SEMÁN is Professor at El Colegio de México. PABLO VILA is Professor in the Department of Sociology at Temple University, USA.
Rezensionen
"An intriguing exploration of multiple conjunctures and disjunctures in the unpredictable relationships between identity and music, the chapters in this volume consistently surprise the reader by demonstrating how endless innovation and creativity produce unexpected musical fusions, which nevertheless 'make sense' when seen in retrospect and from the point of view of the music-makers and their audiences." - Peter Wade, author of Music, Race and Nation: Música Tropical in Colombia