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The first edited volume to examine philosopher Slavoj Zizek's influence on, and his relevance for, theatre and performance studies. Featuring a brand new essay from Zizek himself, this is an indispensable contribution to the emerging field of Performance Philosophy.

Produktbeschreibung
The first edited volume to examine philosopher Slavoj Zizek's influence on, and his relevance for, theatre and performance studies. Featuring a brand new essay from Zizek himself, this is an indispensable contribution to the emerging field of Performance Philosophy.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Melissa Blanco Borelli, Royal Holloway University of London, UK Peter M. Boenisch, University of Kent, UK Geoff Boucher, Deakin University, Dave Calvert, University of Huddersfield, UK Patrick Duggan, University of Exeter, UK Simon Ellis, Roehampton University, UK Stephen Greer, University of Glasgow, UK Paul Johnson, University of Wolverhampton, UK Eve Katsouraki, University of East London, UK Bryce Lease, Royal Holloway University of London, UK Natasha Lushetich, University of Exeter, UK Daniel Oliver, Queen Mary, University of London, UK Colin Poole, Independent Choreographer, UK Linda Taylor, Northumbria University, UK Graham Wolfe, National University of Singapore, Singapore Slavoj i ek, University of Ljubljana, Slovenia
Rezensionen
"This collection is a welcome introduction to a series that has been eagerly anticipated by those engaged in the growing field of performance philosophy. ... This book is aimed at those interested in philosophy, those interested in performance and, primarily, those scholars who are interested in how each speaks to the other." (Liz Tomlin, Contemporary Theatre Review, Vol. 26 (1), February, 2016)