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The issue of zoos is not about treatment, but use; not about reform, but abolition. Zoos often pay lip-service to "education," "enrichment," and "conservation," but the cruelty is systemic and follows from the idea of animals as commodities. As long as they are property, animals will continue to be treated as things, with no rights, who can be caged, bred, abused, or killed for a zoo's profit and the public's entertainment.
In Zooicide, Sue Coe applies her bold and breathtaking artistic style to confront the institution of zoos, exposing them as a form of capitalist cruelty that is enmeshed
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Produktbeschreibung
The issue of zoos is not about treatment, but use; not about reform, but abolition. Zoos often pay lip-service to "education," "enrichment," and "conservation," but the cruelty is systemic and follows from the idea of animals as commodities. As long as they are property, animals will continue to be treated as things, with no rights, who can be caged, bred, abused, or killed for a zoo's profit and the public's entertainment.

In Zooicide, Sue Coe applies her bold and breathtaking artistic style to confront the institution of zoos, exposing them as a form of capitalist cruelty that is enmeshed with the violence of war, colonialism, and ecological destruction.


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Autorenporträt
Sue Coe is a visual artist and social critic. Born in England in 1951, she moved to New York in the early 1970s. A firm believer in the power of media to affect change, her paintings, drawing, and prints have been published in The New York Times, the New Yorker, Rolling Stone and countless other periodicals. Her other books include How to Commit Suicide in South Africa (1983), X (1986), Dead Meat (1996), Pit's Letter (2000), The Ghosts of our Meat (2013), and The Animals' Vegan Manifesto (2017).