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Joe Boyd was part of a small group of label heads and journalists who chose 'world music' as their marketing slogan in the 1980s. They had little idea how fast and how wide those simple words would spread, the controversy it would cause, and only the vaguest idea of how far back the history went. Following the international success of his memoir White Bicycles, Boyd set out to explore the stories behind the music he had helped to populariee. His experiences as a producer working in Cuba, Brazil, Bulgaria, Mali, Hungary, Spain and India had given him the skeleton of an idea, though…mehr

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Produktbeschreibung
Joe Boyd was part of a small group of label heads and journalists who chose 'world music' as their marketing slogan in the 1980s. They had little idea how fast and how wide those simple words would spread, the controversy it would cause, and only the vaguest idea of how far back the history went. Following the international success of his memoir White Bicycles, Boyd set out to explore the stories behind the music he had helped to populariee. His experiences as a producer working in Cuba, Brazil, Bulgaria, Mali, Hungary, Spain and India had given him the skeleton of an idea, though the subject is far broader. Over the past decade he has interviewed musicians, producers and academics, travelled the globe and spent years reading, listening and writing. The resulting book, And the Roots of the Rhythm Remain, is like no other. It shows how personalities, events and politics in Havana, Lagos, Buenos Aires, Soweto, Rio and Seville are as colourful and fascinating as anything that took place in Storyville, Harlem, Laurel Canyon or Liverpool. And, moreover, how jazz, r&b and rock 'n' roll would never have happened if it wasn't for sounds emanating from over the horizon and below the equator.

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Autorenporträt
Joe Boyd is a record producer and writer, known for his acclaimed memoir, White Bicycles. Artists he has produced include Nick Drake, R.E.M., Toots and the Maytals, Richard Thompson, Pink Floyd, Kate and Anna McGarrigle, and ¡Cubanismo! among many others over the course of a nearly sixty-year career. After graduating from Harvard in 1964, he tour-managed Muddy Waters, Sister Rosetta Tharpe, Sonny Rollins, Stan Getz and Astrud Gilberto, and others before serving as production manager for the historic 1965 Newport Folk and Jazz Festivals. He then moved to London to open Elektra Records' office and started the famous UFO club, which became the center of London's psychedelic revolution. In 1979 he launched his own label, Hannibal Records, which was at the forefront of bringing global artists to western audiences. As a film producer, his credits include Amazing Grace, Scandal, and Jimi Hendrix. A gifted raconteur, he appears frequently on radio, podcasts and documentaries.