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A comic masterpiece of medieval French literature, Aucassin and Nicolette is categorized by its anonymous author as a "chantefable," or "song-story," and is the only known work of this kind. This edition includes the thirteenth-century French text and a modern English translation on facing pages. An introduction outlines the text's background, genre, literary relations, historical contexts, major themes, and relevance to a contemporary audience. Its alternating sections of verse and prose recount a story of love between the aristocratic but distinctly unheroic young lord Aucassin and his beloved Nicolette.…mehr

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Produktbeschreibung
A comic masterpiece of medieval French literature, Aucassin and Nicolette is categorized by its anonymous author as a "chantefable," or "song-story," and is the only known work of this kind. This edition includes the thirteenth-century French text and a modern English translation on facing pages. An introduction outlines the text's background, genre, literary relations, historical contexts, major themes, and relevance to a contemporary audience. Its alternating sections of verse and prose recount a story of love between the aristocratic but distinctly unheroic young lord Aucassin and his beloved Nicolette.

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Autorenporträt
Andrew Lang (1844 - 1912) was a Scottish poet, novelist, literary critic and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him. Lang is now chiefly known for his publications on folklore, mythology and religion. The interest in folklore was from early life; he read John Ferguson McLennan before coming to Oxford, and then was influenced by E. B. Tylor. The earliest of his publications is Custom and Myth (1884). In Myth, Ritual and Religion (1887) he explained the "irrational" elements of mythology as survivals from more primitive forms. Lang's Making of Religion was heavily influenced by the 18th century idea of the "noble savage": in it, he maintained the existence of high spiritual ideas among so-called "savage" races, drawing parallels with the contemporary interest in occult phenomena in England. His Blue Fairy Book (1889) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was followed by many other collections of fairy tales, collectively known as Andrew Lang's Fairy Books. In the preface of the Lilac Fairy Book he credits his wife with translating and transcribing most of the stories in the collections. Lang examined the origins of totemism in Social Origins (1903).