One great example of Chekhov's minimalism is found in The Beauties, a very short "story" - I use the term loosely, because it is really just two snapshots, two unrelated anecdotes in which a man describes seeing true beauty in two different women. These women are imperfect, yet enigmatically alluring. Chekhov's genius lies in the way he manages to convey with such apparent effortlessness a profound sense of the mystery of beauty, and of the sadness of those who observe and think. The narrator of this apparently inconsequential tale fixes on exactly the right details, from a myriad of…mehr
One great example of Chekhov's minimalism is found in The Beauties, a very short "story" - I use the term loosely, because it is really just two snapshots, two unrelated anecdotes in which a man describes seeing true beauty in two different women. These women are imperfect, yet enigmatically alluring. Chekhov's genius lies in the way he manages to convey with such apparent effortlessness a profound sense of the mystery of beauty, and of the sadness of those who observe and think. The narrator of this apparently inconsequential tale fixes on exactly the right details, from a myriad of possible ones, to strike at the heart. It's a masterpiece of minimalism.
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Autorenporträt
Anton Chekhov (1860-1904) was born in Taganrog, Russia, the son of a grocer. While training as a physician he supported his family with his freelance writing, composing hundreds of short comic pieces under a pen name for local magazines. He went on to write major works of drama, including The Seagull, Uncle Vanya and The Cherry Orchard, but continued to write prize-winning short stories up until his death from tuberculosis at the age of 44. Nicolas Pasternak Slater, a bilingual nephew of Boris Pasternak, is a retired haemotologist. Published translations include Dostoevsky's Crime and Punishment, Pasternak's Doctor Zhivago, Tolstoy's short stories, and, for Pushkin Press, stories by Ivan Turgenev and Anton Chekhov.
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