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Lavinia Greenlaw's latest collection, The Casual Perfect (2011), focused on 'the achievement of the provisional'. In the near decade since writing those poems, she has found herself exploring what we build out of the provisional: beginnings and endings, arrivals and departures, and the moments we fix as memories, fixing too their joy and pain. The Built Moment is divided into two sections. The first, 'The Sea is an Edge and an Ending', is a sequence of poems about her father's disappearance into Alzheimer's. It is not a narrative of illness so much as a…mehr

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Produktbeschreibung
Lavinia Greenlaw's latest collection, The Casual Perfect (2011), focused on 'the achievement of the provisional'. In the near decade since writing those poems, she has found herself exploring what we build out of the provisional: beginnings and endings, arrivals and departures, and the moments we fix as memories, fixing too their joy and pain. The Built Moment is divided into two sections. The first, 'The Sea is an Edge and an Ending', is a sequence of poems about her father's disappearance into Alzheimer's. It is not a narrative of illness so much as a meditation on the metaphysics of memory loss. What does it mean only to exist in the present, for your sense of self to come loose and for the past to float free? The second half of the book is called 'The Bluebell Horizontal'. If the first section is about loss (the verticals), this section is about possibility (the horizontals). It includes a prayer ('Men I Have Heard in the Night'), a blessing ('Fleur de Sel') and a speculation on why we cling on to pain ('The Break'). There are poems about Joy Division and David Bowie, and an elegy for first love. There are structures that arrest remembering and forgetting - monoliths and oubliettes - and the fundamental arrest of a poet's difficulty with words. These poems are about what we make and hold onto and offer one another. They are also about how, as we get older and death becomes more and more a part of life, what we build and what we break out of becomes more important than ever.

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Autorenporträt
Lavinia Greenlaw was born in London. She studied seventeenth-century art at the Courtauld Institute, and was the first artist in residence at the Science Museum. Her awards include a Nesta Fellowship, the Ted Hughes Award for her immersive soundwork, Audio Obscura, and a Wellcome Engagement Fellowship. She has published six collections of poetry with Faber, including Minsk (2003), which was shortlisted for the T. S. Eliot, Forward and Whitbread Poetry prizes, A Double Sorrow: Troilus and Criseyde (2014) which was shortlisted for the Costa Poetry Award, and The Built Moment (2019). Her novels include In the City of Love's Sleep (2018), and her non-fiction includes The Importance of Music to Girls (2007), Some Answers Without Questions (2021) and The Vast Extent: On Seeing and Not Seeing Further (2024). Her Selected Poems was published in 2024. She is Emeritus Professor at Royal Holloway, University of London.