An exuberant man as well as a prolific and gifted writer, G. K. Chesterton (1874-1936) was a man with very strong opinions - and extremely capable of defending them. In this hilarious, satirical romp, Chesterton demonstrates his intense distrust of power and "progressives," railing against Prohibition, vegetarianism, theosophy, and other "dreary and oppressive" forces of modernity. In a spirited response to the government's attempt to curtail alcohol sales, Humphrey Pump (called Hump) a pub owner in the fishing village of Pebblewick takes to the road in a donkey cart. Accompanied by Captain…mehr
An exuberant man as well as a prolific and gifted writer, G. K. Chesterton (1874-1936) was a man with very strong opinions - and extremely capable of defending them. In this hilarious, satirical romp, Chesterton demonstrates his intense distrust of power and "progressives," railing against Prohibition, vegetarianism, theosophy, and other "dreary and oppressive" forces of modernity. In a spirited response to the government's attempt to curtail alcohol sales, Humphrey Pump (called Hump) a pub owner in the fishing village of Pebblewick takes to the road in a donkey cart. Accompanied by Captain Patrick Dalroy, a crimson-haired giant with a tendency to burst into song, Hump provisions the cart with a cask of good rum, a giant round of cheese, and the signpost from his pub, The Flying Inn. Together, the two men extend good cheer to an increasingly restless populace as they attempt to evade Prohibition. In a journey that becomes a rollicking madcap adventure, the two travel round England, encountering revolution, romance, and a cast of memorable characters. Sure to receive an enthusiastic welcome from Chesterton fans, this new edition of an old classic will also appeal to anyone who enjoys a humorous, well-crafted tale.
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G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Often referred to as "the prince of paradox," Chesterton frequently made his points by turning familiar sayings and proverbs inside out. Chesterton attended the Slade School of Art, a department of University College London, where he took classes in illustration and literature, though he did not complete a degree in either subject. In 1895, at the age of twenty-one, he began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism. In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.
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