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1912. Leo is on a journey. Aged 13 and banished from the secluded farm of his childhood, he travels through Devon, grazing on berries and sleeping in copses. Behind him lies the past, and before him the West Country, spread out like a tapestry. But a wanderer is never alone for long, and soon Leo is taken in by gypsies. Yet he knows he cannot linger, and must forge on to Penzance. Life on the estate continues as usual, yet nothing is as it was. Lottie's father is distracted by the promise of new love and Lottie is increasingly absorbed in the natural world. And of course, Leo is absent. How will the two young people ever find each other again?…mehr

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Produktbeschreibung
1912. Leo is on a journey. Aged 13 and banished from the secluded farm of his childhood, he travels through Devon, grazing on berries and sleeping in copses. Behind him lies the past, and before him the West Country, spread out like a tapestry. But a wanderer is never alone for long, and soon Leo is taken in by gypsies. Yet he knows he cannot linger, and must forge on to Penzance. Life on the estate continues as usual, yet nothing is as it was. Lottie's father is distracted by the promise of new love and Lottie is increasingly absorbed in the natural world. And of course, Leo is absent. How will the two young people ever find each other again?

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Autorenporträt
Tim Pears is the author of nine novels, including In the Place of Fallen Leaves (winner of the Hawthornden Prize and the Ruth Hadden Memorial Award), In a Land of Plenty (made into a ten part BBC series), Landed (shortlisted for the IMPAC Dublin Literary Award 2012 and the Royal Society of Literature Ondaatje Prize 2011, winner of the MJA Open Book Awards 2011) and, most recently, The Horseman, the first book in this trilogy. He has been Writer in Residence at Cheltenham Festival of Literature and Royal Literary Fund Fellow at Oxford Brookes University. He lives in Oxford with his wife and children. timpears.com
Rezensionen
Goodness, Tim Pears writes beautifully . The descriptions of rural life, executed with painterly exactness, are a constant delight. The prose really sings Mail on Sunday