The morning rouses us softly and gently, leading us into the day, awakening in us a pleasant anticipation of upcoming experiences. This was the inception of the idea to create a musical ambiance for these precious hours, and we set off in search of the right instrumentation. It quickly became apparent that the transverse flute is best able to embody this musical sunrise. Lightly and effortlessly the flute and the piano accompany the little listeners as they glide into an eventful day. The cheerful pieces erase the last traces from the dreams of the night, beckoning listeners to embark on a new…mehr
The morning rouses us softly and gently, leading us into the day, awakening in us a pleasant anticipation of upcoming experiences. This was the inception of the idea to create a musical ambiance for these precious hours, and we set off in search of the right instrumentation. It quickly became apparent that the transverse flute is best able to embody this musical sunrise. Lightly and effortlessly the flute and the piano accompany the little listeners as they glide into an eventful day. The cheerful pieces erase the last traces from the dreams of the night, beckoning listeners to embark on a new journey. Matthias Schulz and Eugenia Radoslava interpret these carefully selected masterpieces with a sensitive lightness. The two instruments playfully weave a tapestry, a resonant morning atmosphere for small children. It is truly a delight to experience this feast for the ears. We hope you enjoy a radiant, resplendent sunrise with Baby Dreams 4! markensound records
Eugenia Radoslava, geboren in Sofia, erhielt ihren ersten Klavierunterricht im Alter von drei Jahren. Ihr Studium Klavierkonzertfach und Instrumentalpädagogik absolvierte sie an der Musikakademie Sofia, am Konservatorium Wien und an der Universität für Musik und darstellende Kunst in Wien. Neben zahlreichen Solo-, Kammermusik- und Orchesterkonzerten in Bulgarien, Österreich, Italien, Deutschland, Ungarn, Tschechien und Tunesien gibt es von Eugenia Radoslava bedeutende Rundfunkaufnahmen und Fernsehauftritte. Sie ist Preisträgerin internationaler Wettbewerbe und greift auf eine langjährige Lehrtätigkeit in Bulgarien und Österreich zurück.
Inhaltsangabe
From the contents: 1 Edward Elgar - Salut d'amour op. 12 2 Max Reger - Romance for Flute and Piano in G major 3 Antonín Dvo?ák - Humoresque op. 101 no. 7 4 Gabriel Fauré - Berceuse op. 16 5 Wolfgang Amadeus Mozart - The Magic Flute - excerpts 6 Johann Sebastian Bach - Andante from Flute Sonata in E minor 7 Edward Elgar - Chanson de Matin op. 15 no. 2 8 Frédéric Chopin - Variations in E major on a Theme by Rossini 9 Felix Mendelssohn - Songs Without Words op. 19 no. 1 10 Christoph Willibald Gluck - Minuet and Dance of the Blessed Spirits 11 Joachim Andersen - Lullaby from Salon Pieces op. 52 12 Franz Schubert - Variation no. 3 on Dry Flowers 13 Robert Schumann - Romance op. 94 no. 1 14 Franz Schubert - The Fisher Maiden 15 Edvard Grieg - Morning Mood from Peer Gynt Suite 16 Felix Mendelssohn - Spring Song op. 62 no. 6 17 Franz Schubert - The Pigeon Post 18 Joseph Haydn or Roman Hoffstetter - Serenade op. 3 no. 5 - Andante cantabile
From the contents: 1 Edward Elgar - Salut d'amour op. 12 2 Max Reger - Romance for Flute and Piano in G major 3 Antonín Dvo?ák - Humoresque op. 101 no. 7 4 Gabriel Fauré - Berceuse op. 16 5 Wolfgang Amadeus Mozart - The Magic Flute - excerpts 6 Johann Sebastian Bach - Andante from Flute Sonata in E minor 7 Edward Elgar - Chanson de Matin op. 15 no. 2 8 Frédéric Chopin - Variations in E major on a Theme by Rossini 9 Felix Mendelssohn - Songs Without Words op. 19 no. 1 10 Christoph Willibald Gluck - Minuet and Dance of the Blessed Spirits 11 Joachim Andersen - Lullaby from Salon Pieces op. 52 12 Franz Schubert - Variation no. 3 on Dry Flowers 13 Robert Schumann - Romance op. 94 no. 1 14 Franz Schubert - The Fisher Maiden 15 Edvard Grieg - Morning Mood from Peer Gynt Suite 16 Felix Mendelssohn - Spring Song op. 62 no. 6 17 Franz Schubert - The Pigeon Post 18 Joseph Haydn or Roman Hoffstetter - Serenade op. 3 no. 5 - Andante cantabile
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