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Bluebeard, published in 1987, is Vonnegut's meditation on art, artists, surrealism, and disaster. Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life, which are heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence. Vonnegut's…mehr

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Produktbeschreibung
Bluebeard, published in 1987, is Vonnegut's meditation on art, artists, surrealism, and disaster. Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life, which are heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence. Vonnegut's intention here is not so much satirical (although the contemporary art scene would be easy enough to deconstruct), nor is it documentary (although Karabekian does carry elements of Jackson Pollock and Mark Rothko). Instead Vonnegut is using art for the same purpose he used science fiction clichés in Slaughterhouse-Five as a filter through which he can illuminate the savagery, cruelty, and essentially comic misdirection of human existence. Listeners will recognize familiar Vonnegut character types and archetypes as they drift in and out through the background; meanwhile Karabekian, betrayed and betrayer, sinks through a bottomless haze of recollection. Like most of Vonnegut's late works, this is both science fiction and cruel, contemporary realism at once, using science fiction as metaphor for human damage as well as failure to perceive. Listeners will find that Vonnegut's protagonists can never really clarify for us whether they are ultimately unwitting victims or simple barbarians, leaving it up to the listener to determine in which genre this audiobook really fits, if any at all.
Autorenporträt
Kurt Vonnegut is a unique voice in the American canon -- a writer whose works are hard to categorize, often straddling the space between literature and science fiction, and filled with cutting satire and dark humor. Like Mark Twain before him, Vonnegut's reputation and impact on American writing and reading will continue to grow steadily and increase in relevance as new insights are made. Vonnegut was born in 1922 in Indianapolis, and studied at the University of Chicago and the University of Tennessee. In the Second World War, he became a German prisoner of war and was present during the bombing of Dresden. This experience provided inspiration for his most successful and influential novel, Slaughterhouse-Five. Vonnegut -- admired as much for his views and his "Vonnegutisms" as for his publications -- wrote extensively in many forms, including novels, short stories, essays, plays, articles, speeches, and correspondence, some of which was published posthumously.
Rezensionen
Ranks with Vonnegut s best and goes one step beyond . . . joyous, soaring fiction. The Atlanta Journal and Constitution

Vonnegut is at his edifying best. The Philadelphia Inquirer

The quicksilver mind of Vonnegut is at it again. . . . He displays all his talents satire, irony, ridicule, slapstick, and even a shaggy dog story of epic proportions. The Cincinnati Post

[Kurt Vonnegut is] a voice you can trust to keep poking holes in the social fabric. San Francisco Chronicle

It has the qualities of classic Bosch and Slaughterhouse Vonnegut. . . . Bluebeard is uncommonly feisty. USA Today

Is Bluebeard good? Yes! . . . This is vintage Vonnegut good wine from his best grapes. The Detroit News

A joyride . . . Vonnegut is more fascinated and puzzled than angered by the human stupidities and contradictions he discerns so keenly. So hop in his rumble seat. As you whiz along, what you observe may provide some new perspectives. Kansas City Star