Smiley, wrestling with retirement and disillusionment, is summoned to a secret meeting with a member of the Cabinet Office. Evidence has emerged that the Circus has been infiltrated at the highest level by a Russian agent. Find the mole, George. Clean the stables. Do whatever is necessary. Reluctantly Smiley agrees, and so embarks on a dark journey into his past - a past filled with love, duplicity and betrayal.
Starring the award-winning Simon Russell Beale as Smiley, and with a star cast including Anna Chancellor, Alex Jennings, Kenneth Cranham and Bill Paterson, this epic dramatisation brilliantly depicts the complicated moral dilemmas of those who practise post-war espionage, and illuminates the murky corners of le Carré s classic spy thriller - the first in the Karla trilogy.
'... a worthy audio version of the seminal spy drama, brilliantly depicting the complicated moral dilemmas of post-war espionage, and allowing Beale room to shine as the character of Smiley really comes into his own' - Herts Advertiser
'beautifully paced in a dramatisation which captures the essence of the book whilst working supremely well in its own right in the radio medium' - Chichester Observer
'This period dramatisation could not be bettered' - Observer
Starring the award-winning Simon Russell Beale as Smiley, and with a star cast including Anna Chancellor, Alex Jennings, Kenneth Cranham and Bill Paterson, this epic dramatisation brilliantly depicts the complicated moral dilemmas of those who practise post-war espionage, and illuminates the murky corners of le Carré s classic spy thriller - the first in the Karla trilogy.
'... a worthy audio version of the seminal spy drama, brilliantly depicting the complicated moral dilemmas of post-war espionage, and allowing Beale room to shine as the character of Smiley really comes into his own' - Herts Advertiser
'beautifully paced in a dramatisation which captures the essence of the book whilst working supremely well in its own right in the radio medium' - Chichester Observer
'This period dramatisation could not be bettered' - Observer