Von allen polnischen Jazzmusikern konnte Tomasz Stanko (1946-2018) den größten Erfolg auf internationaler Ebene erzielen; die 2014 entstandene Aufnahme darf als eines seiner wichtigsten späten Projekte gelten. Die Aneignung der Musik Chopins durch den Jazz hat in Polen zwar eine lange Tradition, doch nur Künstlern wie Stanko gelingt es, dem Hörer dann auch ein echtes Aha-Erlebnis zu bescheren.
CD | |||
1 | Letter to Jan Bialoblocki in Sokolowo (Warsaw, 29th September 1825) | 00:01:04 | |
2 | Teeny (Suspended Variations VI) | 00:07:42 | |
3 | Chopin's letters to Tytus Wojciechowski in Poturzyn (Warsaw, 10th April 1830) and to Jan Bialoblocki (Warsaw, toward the | 00:02:30 | |
4 | Daada | 00:04:58 | |
5 | Letter to George Sand in Nohant (Paris, 2nd December 1844) | 00:01:59 | |
6 | Maldoror's War Song | 00:08:36 | |
7 | The Dark Eyes of Martha Hirsh featuring extracts from a letter written by F. Chopin to his family (Vienna, 1st August 18 | 00:16:01 | |
8 | Melancholia and Chopin's letter to Julian Fontana in Paris (Palma, 15th Nov. 1838) | 00:06:59 | |
9 | Chopin's letter to his family in Warsaw (Nohant, 18th-20th July 1845) | 00:02:32 | |
10 | Euforila | 00:05:30 | |
11 | Chopin's letter to his family in Warsaw (Paris, 11th February 1848) | 00:02:29 | |
12 | Ballada | 00:05:30 | |
13 | Chopin's letter to his family in Warsaw (Nohant 18th-20th July 1845) | 00:01:16 | |
14 | New Y | 00:05:58 | |
15 | Terminal 7 and Chopin's letters to George Sand in Nohant (Paris 17th January 1847) and Julian Fontana in Paris (Palma, 2 | 00:05:54 |