The frequently undervalued Georg Philip Telemann - a prolific composer who has still not been completely forgiven for having been in his lifetime more famous than Johann Sebastian Bach - is nonetheless the composer of works of great beauty, rich in musical value. Capable, as few others were, of depicting the aesthetic ideal of the time - Les goûts réunis - with elements of the Italian, French, English and even Polish styles, he also positioned the traverso in its rightful place; this provides the starting point for this recording the eminent Wilbert Hazelzet made in December 1997 alongside his old friends and colleagues: cellist Jaap ter Linden, harpsichordist Jacques Ogg and lutenist Konrad Junghänel.
CD | |||
1 | Capriccio für Flöte und Basso continuo G-Dur | 00:02:53 | |
2 | 1. Largo | 00:03:30 | |
3 | 2. Vivace | 00:02:42 | |
4 | 3. Soave | 00:03:03 | |
5 | 4. Vivace | 00:02:52 | |
6 | Dolce für Flöte und Violoncello G-Dur | 00:01:26 | |
7 | Largo e Misurato für Flöte und Violoncello e-moll | 00:01:49 | |
8 | Konzert für Flöte, Laute, Violoncello und Cembalo Nr. 6 a-moll | ||
9 | 2. Allegro | 00:02:04 | |
10 | 3. Largo | 00:03:22 | |
11 | 4. Allegro assai | 00:02:57 | |
12 | Fantasie für Flöte Nr 3 h-moll | 00:03:40 | |
13 | Solo für Flöte und Basso continuo h-moll | ||
14 | 2. Allegro | 00:02:15 | |
15 | 3. Dolce | 00:03:15 | |
16 | 4. Allegro | 00:03:26 | |
17 | Fantasie für Flöte Nr. 1 fis-moll | 00:04:02 | |
18 | Sinfonie à la Françoise für Flöte und Basso continuo h-moll | 00:02:59 | |
19 | Gayment für Flöte und Basso cotninuo h-moll | 00:01:47 | |
20 | Konzert für Flöte, Violoncello und Cembalo Nr. 5 h-moll | ||
Weitere 3 Tracks anzeigen | |||
21 | 2. Vivace | 00:03:16 | |
22 | 3. Gratioso | 00:02:05 | |
23 | 4. Presto | 00:02:10 |