Glossa reinstates into the catalogue a recording which typifies the label's endeavours as well as being a memorable reflection of the artistry of the Orchestra of the 18th Century and of its conductor Frans Brüggen. An extended and beautiful introduction to the principal work is created by performances of the Maurerische Trauermusik and the Adagio for two clarinets and three basset horns, before Brüggen directs a startling and impressive reading of the Requiem - which includes the Introit, Tract and the Offertory sung in plainchant - which has become one of the reference versions of this work. The Metropolitan Space of Tokyo surely experienced an occasion of true magic back in March 1998 which was perfectly captured by the NHK Television microphones and which now can be enjoyed once more.
CD | |||
1 | Maurerische Trauermusik c-moll KV 477 | 00:05:24 | |
2 | Adagio B-Dur KV 411 (484a) (für 2 Klarinetten und 3 Bassetthörner) | 00:06:31 | |
3 | Requiem d-moll KV 626 | ||
4 | Introitus | 00:05:01 | |
5 | Kyrie | 00:02:11 | |
6 | Dies irae | 00:01:39 | |
7 | Tuba mirum | 00:03:16 | |
8 | Rex tremendae | 00:01:55 | |
9 | Recordare | 00:03:55 | |
10 | Confutatis | 00:02:22 | |
11 | Lacrimosa | 00:02:54 | |
12 | Plainchant (Tractus) | 00:02:22 | |
13 | Domine Jesu | 00:03:10 | |
14 | Hostias | 00:03:17 | |
15 | Plainchant (Offertorium) | 00:03:48 | |
16 | Sanctus | 00:01:41 | |
17 | Benedictus | 00:04:43 | |
18 | Agnus Dei | 00:03:07 | |
19 | Lux aeterna | 00:05:29 |