Jubilate - Chilcott, Bob
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for soprano or tenor solo, SATB choir, 2 horns, 3 trumpets, 3 trombones, tuba, piano solo, and timpani Jubilate is a medium-scale concert work that uses as its text a combination of the ancient words of Psalm 100 and the inspirational poem Prayer by Gerard Manley Hopkins. This is an approachable and deeply moving work containing both exciting and extrovert passages of public rejoicing as well as sections of more intimate, personal praise. The score and instrumental parts are available on hire.

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Produktbeschreibung
for soprano or tenor solo, SATB choir, 2 horns, 3 trumpets, 3 trombones, tuba, piano solo, and timpani
Jubilate is a medium-scale concert work that uses as its text a combination of the ancient words of Psalm 100 and the inspirational poem Prayer by Gerard Manley Hopkins. This is an approachable and deeply moving work containing both exciting and extrovert passages of public rejoicing as well as sections of more intimate, personal praise.
The score and instrumental parts are available on hire.
Autorenporträt
Bob Chilcott has become one of the world's most widely performed composers and arrangers of choral music. His compositional output reflects his wide taste in music styles and his commitment to writing music that is both singable and communicative.He has been involved in choral music most of his life he was a chorister and then a choral scholar in the choir of King's College, Cambridge, and was a member of the British vocal group The King's Singers for whom he made a number of popular arrangements of well-known songs from all genres.As well as being a full-time composer he is also a highly acclaimed choral conductor. He has been privileged to conduct many choirs all over the world. He is Principal Guest Conductor of The BBC Singers and in 2019 he was appointed Principal Conductor of Birmingham University Singers. His music has been widely recorded by many choirs and groups including The King's Singers, Tenebrae, and The BBC Singers.
Rezensionen
Bob Chilcott is fast gaining a superb reputation for the quality and diversity of his choral work and anything with his name attached to it causes me considerable interest . . . This grandiose setting, mostly in six or seven parts, brings to a wonderful conclusion a work full of charm, drama, excitement and sensitivity. For a more advanced choir, capable of achieving the subtle contrasts in mood and style, this work is surely worthy of serious consideration. Music Teacher, November 99