Pervigilium Veneris - Garcia-Castells, Federico
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Pervigilium Veneris is a cantata composed after an anonymous poem from the third century. The rondo form is strongly related to the poem?s structure which alternates a refrain with verses. In the introduction, the voices present the refrains and the first line of the verse using spoken rhythm accompanied with non-pitched percussion. The marimba introduces the element of pitch after the first refrain and the repetition of an A flat on the second line of the first verse is used as a transition from the non-pitched to the pitched material of the piece. On the following appearances of the refrain…mehr

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Produktbeschreibung
Pervigilium Veneris is a cantata composed after an anonymous poem from the third century. The rondo form is strongly related to the poem?s structure which alternates a refrain with verses. In the introduction, the voices present the refrains and the first line of the verse using spoken rhythm accompanied with non-pitched percussion. The marimba introduces the element of pitch after the first refrain and the repetition of an A flat on the second line of the first verse is used as a transition from the non-pitched to the pitched material of the piece. On the following appearances of the refrain there is a melody line with an incremental increase of voices and instruments towards the end. On the verses single-pitched rhythmic phrases are alternated with modal melodies rotating the voices of the choir in groups. The dynamics of the piece move in blocks evoking ancient Roman architecture.
Autorenporträt
GARCIA-CASTELLS, FEDERICO§Federico J. Garcia-Castells was born in Mexico City on 1968. He studied at The National School of Music (U.N.A.M.), and graduated in 2003 with a mayor in Composition. In 2006 he taught music theory at Brevard music center in North Carolina and finished a Masters in Music Composition at the University of Missouri, Kansas City in 2007.