Studies in the Neo-Latin Literature of the European Baroque Herausgeber: Glomski, Jacqueline; Xinyue, Bobby; Barton, William M; Taylor, Andrew; Harrison, Stephen; Manuwald, Gesine
Studies in the Neo-Latin Literature of the European Baroque Herausgeber: Glomski, Jacqueline; Xinyue, Bobby; Barton, William M; Taylor, Andrew; Harrison, Stephen; Manuwald, Gesine
"This volume addresses the idea of the Baroque in European literature in Latin. With contributions by scholars from various disciplines and countries, and by looking at a range of texts from across Europe, the volume offers case studies to deepen scholarly understanding of this important literary phenomenon and inspire future research"--
"This volume addresses the idea of the Baroque in European literature in Latin. With contributions by scholars from various disciplines and countries, and by looking at a range of texts from across Europe, the volume offers case studies to deepen scholarly understanding of this important literary phenomenon and inspire future research"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jacqueline Glomski is Honorary Senior Research Fellow at University College London, UK, Vice-President of the Society for Neo-Latin Studies (SNLS), and a fellow of the Royal Historical Society. She has co-edited the collected volumes Seventeenth-Century Libraries: Problems and Perspectives (forthcoming), Seventeenth-Century Fiction: Text and Transmission (2016), and Acta Conventus Neo-Latini Monasteriensis: Proceedings of the Fifteenth International Congress of Neo-Latin Studies (2015). Andrew Taylor is Senior Lecturer, Fellow and Director of Studies in English at Churchill College, University of Cambridge, UK. He has published widely on Renaissance literature and has edited Neo-Latin and Translation in the Renaissance (2014), The Early Modern Cultures of Neo-Latin Drama (2013), and Neo-Latin and the Pastoral (2006), the latter two both with Philip Ford. Gesine Manuwald is Professor of Latin at University College London, UK, and President of the Society for Neo-Latin Studies (SNLS). She has published a number of articles on early modern Latin literature and edited the collected volume Neo-Latin Poetry in the British Isles (Bloomsbury, 2012) with Luke Houghton.
Inhaltsangabe
List of contributors Preface 1 Introduction (Gesine Manuwald UCL UK and Andrew Taylor Churchill College Cambridge UK) 2 The sixteenth century's revolution in rhetoric and its impact on the Baroque (Lucy R. Nicholas Warburg Institute UK) 3 The Greekness of Neo-Latin wit: Hermogenes and ingenuity in Julius Caesar Scaliger's Poetices libri septem (Javiera Lorenzini Raty KCL UK) 4 The triumph of the saint: St Casimir Jagiellon and the militant motifs in Baroque hagiographical poetry (Patryk Ryczkowski Universität Innsbruck Austria) 5 Innovation and fusion: Sarbiewski's theory of Baroque literary style (Tomas Riklius Vilnius University Lithuania) 6 Christ's blood or Mary's milk? 'Clarus Bonarscius' Baroque piety and English Protestant outrage (Alison Shell UCL UK) 7 An example of Baroque Latinity through the inclusion of ancient literary models into modern thought: Claude-Barthélemy Morisot's Peruviana (1644) (Valérie Boutrois-Wampfler University of Reims Champagne-Ardenne France) 8 Maffeo Barberini's poems for the Farnese family in early Baroque Rome (Stephen J. Harrison University of Oxford UK) 9 Mannerisms in Latin Baroque poetry by Paul Fleming (1609-40) and Georg Gloger (1603-31) (Beate Hintzen Universität Bonn Germany) 10 What makes a Neo-Latin tragedy Baroque? (Jan Bloemendal Royal Netherlands Academy/Huygens Institute Netherlands and James Parente University of Minnesota USA) 11 Asses at the lyre: Latin as musical language and the benefits of exclusion (Eric Bianchi Fordham University USA) 12 Latin motet texts in seventeenth-century Rome and the Exercitia spiritualia of St Ignatius of Loyola (Adrian Horsewood Royal Birmingham Conservatoire UK) Index
List of contributors Preface 1 Introduction (Gesine Manuwald UCL UK and Andrew Taylor Churchill College Cambridge UK) 2 The sixteenth century's revolution in rhetoric and its impact on the Baroque (Lucy R. Nicholas Warburg Institute UK) 3 The Greekness of Neo-Latin wit: Hermogenes and ingenuity in Julius Caesar Scaliger's Poetices libri septem (Javiera Lorenzini Raty KCL UK) 4 The triumph of the saint: St Casimir Jagiellon and the militant motifs in Baroque hagiographical poetry (Patryk Ryczkowski Universität Innsbruck Austria) 5 Innovation and fusion: Sarbiewski's theory of Baroque literary style (Tomas Riklius Vilnius University Lithuania) 6 Christ's blood or Mary's milk? 'Clarus Bonarscius' Baroque piety and English Protestant outrage (Alison Shell UCL UK) 7 An example of Baroque Latinity through the inclusion of ancient literary models into modern thought: Claude-Barthélemy Morisot's Peruviana (1644) (Valérie Boutrois-Wampfler University of Reims Champagne-Ardenne France) 8 Maffeo Barberini's poems for the Farnese family in early Baroque Rome (Stephen J. Harrison University of Oxford UK) 9 Mannerisms in Latin Baroque poetry by Paul Fleming (1609-40) and Georg Gloger (1603-31) (Beate Hintzen Universität Bonn Germany) 10 What makes a Neo-Latin tragedy Baroque? (Jan Bloemendal Royal Netherlands Academy/Huygens Institute Netherlands and James Parente University of Minnesota USA) 11 Asses at the lyre: Latin as musical language and the benefits of exclusion (Eric Bianchi Fordham University USA) 12 Latin motet texts in seventeenth-century Rome and the Exercitia spiritualia of St Ignatius of Loyola (Adrian Horsewood Royal Birmingham Conservatoire UK) Index
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