Hoi F. Cheu teaches film theory and applied mediaaesthetics at Laurentian University, where he is the Director of theCentre for Humanities Research and Creativity.
Hoi F. Cheu teaches film theory and applied mediaaesthetics at Laurentian University, where he is the Director of theCentre for Humanities Research and Creativity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hoi F. Cheu teaches film theory and applied mediaaesthetics at Laurentian University, where he is the Director of theCentre for Humanities Research and Creativity.
Inhaltsangabe
Acknowledgments 1 Feminist Film Theory and the Postfeminist Era: Disney'sMulan 2 Howling for Multitudes: Angela Carter's The Company ofWolves 3 The Female Authorial Voice: Marguerite Duras' Hiroshimamon amour 4 Beyond Freud and Lacan: Susan Streitfeld's FemalePerversions 5 Cathartic Meta-narrative: Léa Pool's Lost andDelirious and Barbara Sweet's Perfect Pie (TwoScripts by Judith Thompson) 6 Diasporic Imagination and Transcultural Identity: Clara Law'sThe Goddess of 1967 7 Representing Representation: Agnès Varda's Sans toit niloi (Vagabond) 8 From Text to Context: Metadocumentary and Skyworks 9 Filling the Theory Vacuum: Marleen Gorris'Antonia Notes Bibliography Index
Acknowledgments 1 Feminist Film Theory and the Postfeminist Era: Disney'sMulan 2 Howling for Multitudes: Angela Carter's The Company ofWolves 3 The Female Authorial Voice: Marguerite Duras' Hiroshimamon amour 4 Beyond Freud and Lacan: Susan Streitfeld's FemalePerversions 5 Cathartic Meta-narrative: Léa Pool's Lost andDelirious and Barbara Sweet's Perfect Pie (TwoScripts by Judith Thompson) 6 Diasporic Imagination and Transcultural Identity: Clara Law'sThe Goddess of 1967 7 Representing Representation: Agnès Varda's Sans toit niloi (Vagabond) 8 From Text to Context: Metadocumentary and Skyworks 9 Filling the Theory Vacuum: Marleen Gorris'Antonia Notes Bibliography Index
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