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With its huge cost-saving potential, digital cinema is the biggest thing to happen to the movies since sound. This book details how each phase of the digital movie-making process, shooting, postproduction, delivery, and exhibition, differs from film and provides clear answers to the cost vs. quality controversy. It covers: nonlinear editing - software, basic technique, cost savings; digital video color correction; CGI - changing the shot after the shoot; digital composition for film; universal mastering (film, DVD, TV, Internet); and, digital distribution and exhibition.
The first complete
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Produktbeschreibung
With its huge cost-saving potential, digital cinema is the biggest thing to happen to the movies since sound. This book details how each phase of the digital movie-making process, shooting, postproduction, delivery, and exhibition, differs from film and provides clear answers to the cost vs. quality controversy. It covers: nonlinear editing - software, basic technique, cost savings; digital video color correction; CGI - changing the shot after the shoot; digital composition for film; universal mastering (film, DVD, TV, Internet); and, digital distribution and exhibition.
The first complete overview of digital cinema technology, clearly detailing how each phase of the moviemaking process, shooting, postproduction, delivery, and exhibition, are changed by digital technology With its huge cost-saving potential, digital cinema is the biggest thing to happen to the movies since sound. Includes digital Cinematography - how to photograph and shoot in digital, and how it's different from film plus Nonlinear Editing - software, basic techniques, cost savings
Autorenporträt
Brian McKernan (White Plains, NJ) is the Editorial Director of Television Broadcasting, Videography, and Digital Cinema magazines.