Directors and dramaturgs must know how to analyze a performance text in order to bring it to life on the stage. This book documents a range of the models used when reading a text, divided into three sections. The first section details play analysis from Aristotle onwards. The second surveys current Western theatre practices through research, interviews and observation, and is divided into subsections based on directors' tasks. The third is a workbook of exercises based on findings from section two, designed to help the director analyze their chosen text. The goal is that, having experimented…mehr
Directors and dramaturgs must know how to analyze a performance text in order to bring it to life on the stage. This book documents a range of the models used when reading a text, divided into three sections. The first section details play analysis from Aristotle onwards. The second surveys current Western theatre practices through research, interviews and observation, and is divided into subsections based on directors' tasks. The third is a workbook of exercises based on findings from section two, designed to help the director analyze their chosen text. The goal is that, having experimented with the practices in this book, the reader will be equipped to create their own brand of analysis.
Forward by Anne Bogart Introduction Lessons from the past Aristotle Konstantin Stanislavski Vsevolod Meyerhold Yevgeny Vakhtangov Bertolt Brecht Harold Clurman A Survey of Current Practices Digging into the Script on Your Own Reading the Play for the First Time Moving Past First Impressions Going beyond the Words on the Page Preparing for Design Meetings and Casting Sessions Sharing your Read on the Play Discovering the World of the Play Getting to Know the Characters Gearing up for Rehearsing with Actors Grasping the Given Circumstances Mapping the Action Grappling with the Language Reading a Play without a Script: Notes on Devising What do you start with? What are you analyzing? What is a play? Workbook Chapter The First Steps in Preparation Getting Ready to Talk to Designers Getting Ready to Cast the Play Getting Ready for Rehearsal Checking Your Handle on Structure A Final Gut Check Appendices Character Biographies French Scenes: List Version French Scenes: Chart Version Director Breakdown Moment Chain Streetcar Punctuation Write Up The Tempest Punctuation Write Up Bibliography List of Interviews Biographies of Interviewees
Forward by Anne Bogart Introduction Lessons from the past Aristotle Konstantin Stanislavski Vsevolod Meyerhold Yevgeny Vakhtangov Bertolt Brecht Harold Clurman A Survey of Current Practices Digging into the Script on Your Own Reading the Play for the First Time Moving Past First Impressions Going beyond the Words on the Page Preparing for Design Meetings and Casting Sessions Sharing your Read on the Play Discovering the World of the Play Getting to Know the Characters Gearing up for Rehearsing with Actors Grasping the Given Circumstances Mapping the Action Grappling with the Language Reading a Play without a Script: Notes on Devising What do you start with? What are you analyzing? What is a play? Workbook Chapter The First Steps in Preparation Getting Ready to Talk to Designers Getting Ready to Cast the Play Getting Ready for Rehearsal Checking Your Handle on Structure A Final Gut Check Appendices Character Biographies French Scenes: List Version French Scenes: Chart Version Director Breakdown Moment Chain Streetcar Punctuation Write Up The Tempest Punctuation Write Up Bibliography List of Interviews Biographies of Interviewees
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