Much has been made of the Highwaymen—the loosely knit band of African American painters whose edenic Florida landscapes "shaped the state's popular image as much as oranges and alligators” (New York Times). But lost in the legends surrounding the group is the mesmerizing story of Mary Ann Carroll, the only female "Highwayman”. This is the never-before-told story of a black female artist's hard-fought journey to feed her family and make a name for herself in a man's world.
Much has been made of the Highwaymen—the loosely knit band of African American painters whose edenic Florida landscapes "shaped the state's popular image as much as oranges and alligators” (New York Times). But lost in the legends surrounding the group is the mesmerizing story of Mary Ann Carroll, the only female "Highwayman”. This is the never-before-told story of a black female artist's hard-fought journey to feed her family and make a name for herself in a man's world.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gary Monroe, a native of Miami Beach, has photographed throughout Brazil, Israel, Cuba, India, Trinidad, Poland, and Egypt, among other international destinations. He is best known for his long-term photographic involvements with the elderly's old world culture of South Beach, Haiti during the end of the Duvalier regime and foray into democracy, and tourism as a rite of passage. He has received various honors and distinctions for his work, including two National Endowments for the Arts, four Florida Humanities Council Fellowships, a State of Florida arts fellowship, and two Fulbright Foundation fellowships. Monroe is the author of The Highwaymen: Florida's African-American Landscape Painters and three other books on Florida's Highwaymen artists. He has written nine books, most of which acknowledge unrecognized self-taught Florida artists. His most recent book, E. G. Barnhill: Florida Photographer, Adventurer, Entrepreneur, highlights the artist's hand-colored photographs.
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