Co-written by a musician and a professor of religion, this book studies progressive rock musicâ s profound engagement with religious themes. It looks closely not only at lyrics but at the music itself, which spans an array of artists and songs from its early days to the present.
Co-written by a musician and a professor of religion, this book studies progressive rock musicâ s profound engagement with religious themes. It looks closely not only at lyrics but at the music itself, which spans an array of artists and songs from its early days to the present.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Frank Felice is associate professor of composition, theory and electronic music in the School of Music, Jordan College of Arts at Butler University in Indianapolis, Indiana. James F. McGrath is the Clarence L. Goodwin Chair in New Testament Language and Literature at Butler University.
Inhaltsangabe
Introduction Chapter 1: ELP's Tarkus: Religion and Politics in a Post-Apocalyptic Landscape Chapter 2: Yes: Prophets of a Spiritual and Musical New Age Chapter 3: Genesis' Supper's Ready: Messiahs and Metamorphoses Chapter 4: Jethro Tull's Songs about God: A Prog-phetic Condemnation of Idolatry Chapter 5: Kerry Livgren's Kansas: From Syncretism to Monotheism and Complexity to Simplicity Chapter 6: Rush's Freewill: Beyond Election to Choice as a Theological Anthem Chapter 7: Neal Morse's Similitude of a Dream: A Recasting of Pilgrim's Progress Conclusion
Introduction Chapter 1: ELP's Tarkus: Religion and Politics in a Post-Apocalyptic Landscape Chapter 2: Yes: Prophets of a Spiritual and Musical New Age Chapter 3: Genesis' Supper's Ready: Messiahs and Metamorphoses Chapter 4: Jethro Tull's Songs about God: A Prog-phetic Condemnation of Idolatry Chapter 5: Kerry Livgren's Kansas: From Syncretism to Monotheism and Complexity to Simplicity Chapter 6: Rush's Freewill: Beyond Election to Choice as a Theological Anthem Chapter 7: Neal Morse's Similitude of a Dream: A Recasting of Pilgrim's Progress Conclusion
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