Wayne Bailey is Professor of Music and Associate Director of Bands at Arizona State University. Cormac Cannon is Associate Professor of Music and Associate Director of Bands at The University of South Carolina. Brandt Payne is Associate Professor of Music and Director of Athletic Bands at Youngstown State University.
Wayne Bailey is Professor of Music and Associate Director of Bands at Arizona State University. Cormac Cannon is Associate Professor of Music and Associate Director of Bands at The University of South Carolina. Brandt Payne is Associate Professor of Music and Director of Athletic Bands at Youngstown State University.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface UNIT 1. WRITING THE DRILL AND MUSIC Chapter 1. Understanding the Basics of the Marching Band —Instrumentation —The Marching Field —Step Sizes and Styles —Body Carriage —Terminology —Marching Fundamentals —Grid Alignments —Historical Styles of Show Formats —Drill Design Software Chapter 2. Making Drill Design Concepts Work —Types of Forms —Types of Movements —Speed of the Drill —Flow Between Forms —Staging the Band —Instrument Placement —Paths of the Marchers —Audience Perspective —Coordination of Elements Chapter 3. Designing and Charting the Show —Selecting the Music —Designing the Show Format —Analyzing the Music —Designing the Show —Charting the Forms Chapter 4. Arranging the Show Music —Preliminary Planning —Sketching the Arrangement —Determining Scoring and Choosing Instrument Doublings —Accompanimental Rhythms —Harmonizations of the Melody —Creating Counterlines —Writing Introductions, Endings, and Transitions —Aiming the Arrangement and Creating Musical Impact —Writing the Score UNIT 2. TEACHING THE MARCHING BAND Chapter 5. Teaching the Show —Teaching the Music —Memorizing the Music —Teaching the Marching Fundamentals —Teaching the Drill —Sample Warm-ups —Building Endurance and Power —Structuring a Marching Band Rehearsal Chapter 6. Parade Marching —Selecting the Music —Parade Formations —Turns —Parade Signals —Common Problems in Parade Marching —Parade Routines UNIT 3. USE OF AUXILIARIES AND THE PERCUSSION SECTION Chapter 7. Using the Auxiliaries —Structuring the Types and Sizes of Units —Choosing Props and Equipment —Use of Auxiliaries —Placement of the Auxiliaries Chapter 8. Teaching the Marching Percussion Section —Instrumentation —Sizes of Marching Percussion Instruments —Drumsticks and Mallets —Correct Striking Area for Marching Drums —Selection of Players —Staging the Percussion Section —Guidelines for Marching Percussion Drill Writing —Marching Problems —Parade Marching —Parade Formation, Drumline —Tuning the Percussion Instruments —Musical Roles of Marching Percussion —Editing Marching Percussion Music —Percussion Warm-ups —Traditional Grip vs. Matched Grip UNIT 4. RESOURCE IDEAS Chapter 9. Sample Designs Appendix Alcalde Clockwork Shenandoah Index
Preface UNIT 1. WRITING THE DRILL AND MUSIC Chapter 1. Understanding the Basics of the Marching Band —Instrumentation —The Marching Field —Step Sizes and Styles —Body Carriage —Terminology —Marching Fundamentals —Grid Alignments —Historical Styles of Show Formats —Drill Design Software Chapter 2. Making Drill Design Concepts Work —Types of Forms —Types of Movements —Speed of the Drill —Flow Between Forms —Staging the Band —Instrument Placement —Paths of the Marchers —Audience Perspective —Coordination of Elements Chapter 3. Designing and Charting the Show —Selecting the Music —Designing the Show Format —Analyzing the Music —Designing the Show —Charting the Forms Chapter 4. Arranging the Show Music —Preliminary Planning —Sketching the Arrangement —Determining Scoring and Choosing Instrument Doublings —Accompanimental Rhythms —Harmonizations of the Melody —Creating Counterlines —Writing Introductions, Endings, and Transitions —Aiming the Arrangement and Creating Musical Impact —Writing the Score UNIT 2. TEACHING THE MARCHING BAND Chapter 5. Teaching the Show —Teaching the Music —Memorizing the Music —Teaching the Marching Fundamentals —Teaching the Drill —Sample Warm-ups —Building Endurance and Power —Structuring a Marching Band Rehearsal Chapter 6. Parade Marching —Selecting the Music —Parade Formations —Turns —Parade Signals —Common Problems in Parade Marching —Parade Routines UNIT 3. USE OF AUXILIARIES AND THE PERCUSSION SECTION Chapter 7. Using the Auxiliaries —Structuring the Types and Sizes of Units —Choosing Props and Equipment —Use of Auxiliaries —Placement of the Auxiliaries Chapter 8. Teaching the Marching Percussion Section —Instrumentation —Sizes of Marching Percussion Instruments —Drumsticks and Mallets —Correct Striking Area for Marching Drums —Selection of Players —Staging the Percussion Section —Guidelines for Marching Percussion Drill Writing —Marching Problems —Parade Marching —Parade Formation, Drumline —Tuning the Percussion Instruments —Musical Roles of Marching Percussion —Editing Marching Percussion Music —Percussion Warm-ups —Traditional Grip vs. Matched Grip UNIT 4. RESOURCE IDEAS Chapter 9. Sample Designs Appendix Alcalde Clockwork Shenandoah Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
