¿amsolookly kersse¿: Clothing in Finnegans Wake - Kalish, Catherine
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"amsolookly kersse": Clothing in Finnegans Wake uses rhetorical theory, specifically, the relationship between the author, audience, and text as a paradigm for understanding clothing as a visual form of rhetoric. This in-depth study of clothing provides readers with a new way of understanding Joyce s most complex text. Whereas critics often see the characters as conflated, an examination of what each character wears reveals distinct personalities. Furthermore, clothing is a subject that allows for discussion of class, gender, politics, age, ethics, identity, art, and even religion in conjunction with each of these characters.…mehr

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Produktbeschreibung
"amsolookly kersse": Clothing in Finnegans Wake uses rhetorical theory, specifically, the relationship between the author, audience, and text as a paradigm for understanding clothing as a visual form of rhetoric. This in-depth study of clothing provides readers with a new way of understanding Joyce s most complex text. Whereas critics often see the characters as conflated, an examination of what each character wears reveals distinct personalities. Furthermore, clothing is a subject that allows for discussion of class, gender, politics, age, ethics, identity, art, and even religion in conjunction with each of these characters.
Autorenporträt
Catherine Kalish is an Assistant Professor of English at the University of Wisconsin-Marshfield/Wood County. Kalish received her B.A. from the University of Wisconsin-Madison and her M.A. and Ph.D. from Marquette University. In addition to studying the works of James Joyce, Kalish is interested in other modernists, including Zona Gale.