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Critics have long acknowledged Hemingway's lifelong erotic obsession with hair, but this book is the first to explain in a theoretically coherent manner why Hemingway was a fetishist and why we should care. Without reducing Hemingway's art to his psychosexuality, Eby demonstrates that when the fetish appears in Hemingway's fiction, it always does so with a retinue of attendant fantasies, themes, and symbols that are among the most prominent and important in Hemingway's work. "Eby stands out as a particularly fine writer who has brought unfamiliar Hemingway materials together in creative…mehr

Produktbeschreibung
Critics have long acknowledged Hemingway's lifelong erotic obsession with hair, but this book is the first to explain in a theoretically coherent manner why Hemingway was a fetishist and why we should care. Without reducing Hemingway's art to his psychosexuality, Eby demonstrates that when the fetish appears in Hemingway's fiction, it always does so with a retinue of attendant fantasies, themes, and symbols that are among the most prominent and important in Hemingway's work. "Eby stands out as a particularly fine writer who has brought unfamiliar Hemingway materials together in creative conjunctions to illuminate the classic works. His critical savvy and sense of humor are very refreshing.
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Autorenporträt
Carl P. Eby is Assistant Professor in the Department of English at the University of South Carolina at Beaufort.