From archaic Greece to the Roman Empire, the remains of comic and satyric performances reveal a range of literary, aesthetic, historical, religious, and geographical connections. Satyric Play analyzes the details of this interplay diachronically, showing that comedy and satyr plays influenced each other in nearly all stages of their development.
From archaic Greece to the Roman Empire, the remains of comic and satyric performances reveal a range of literary, aesthetic, historical, religious, and geographical connections. Satyric Play analyzes the details of this interplay diachronically, showing that comedy and satyr plays influenced each other in nearly all stages of their development.
Carl Shaw is Associate Professor of Ancient Greek Language and Literature at New College of Florida.
Inhaltsangabe
* List of Figures * Abbreviations * Introduction * Chapter One: Comedy and Satyr Drama in Plato and Aristotle * Chapter Two: Early Komos Songs: Satyric, Precomic, and Dithyrambic Performance * Chapter Three: Sicilian Comedy and the Attic Satyr Play * Chapter Four: Old Comedy, Classical Satyr Drama, and Euripides' Alcesits * Chapter Five: Middle Comedy and the "Satyric" Style * Chapter Six: Post-Classical Satyr Play and Old Comedy * Conclusion * References * Index of Passages * General Index
* List of Figures * Abbreviations * Introduction * Chapter One: Comedy and Satyr Drama in Plato and Aristotle * Chapter Two: Early Komos Songs: Satyric, Precomic, and Dithyrambic Performance * Chapter Three: Sicilian Comedy and the Attic Satyr Play * Chapter Four: Old Comedy, Classical Satyr Drama, and Euripides' Alcesits * Chapter Five: Middle Comedy and the "Satyric" Style * Chapter Six: Post-Classical Satyr Play and Old Comedy * Conclusion * References * Index of Passages * General Index
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