Learning to Kneel locates noh dramaà â â s influence on American and European writers, dancers, and composers. Carrie J. Prestonà â â s work has been profoundly shaped by her training in noh performance. While her subjects are often criticized for Orientalist tendencies, Prestonà â â s own journey reflects a more nuanced understanding of cultural exchange.
Learning to Kneel locates noh dramaà â â s influence on American and European writers, dancers, and composers. Carrie J. Prestonà â â s work has been profoundly shaped by her training in noh performance. While her subjects are often criticized for Orientalist tendencies, Prestonà â â s own journey reflects a more nuanced understanding of cultural exchange.
Preface Acknowledgments Abbreviations Introduction to Noh Lessons 1. Ezra Pound as Noh Student 2. Theater in the "Deep": W. B. Yeats's At the Hawk's Well 3. Ito Michio's Hawk Tours in Modern Dance and Theater 4. Pedagogical Intermission: A Lesson Plan for Bertolt Brecht's Revisions 5. Noh Circles in Twentieth-Century Japanese Performance 6. Trouble with Titles and Directors: Benjamin Britten and William Plomer's Curlew River and Samuel Beckett's Footfalls/Pas Coda Notes Glossary Bibliography Index
Preface Acknowledgments Abbreviations Introduction to Noh Lessons 1. Ezra Pound as Noh Student 2. Theater in the "Deep": W. B. Yeats's At the Hawk's Well 3. Ito Michio's Hawk Tours in Modern Dance and Theater 4. Pedagogical Intermission: A Lesson Plan for Bertolt Brecht's Revisions 5. Noh Circles in Twentieth-Century Japanese Performance 6. Trouble with Titles and Directors: Benjamin Britten and William Plomer's Curlew River and Samuel Beckett's Footfalls/Pas Coda Notes Glossary Bibliography Index
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