This innovative visual ethnography examines diverse forms of self-reference and metareference that appear in Latin American graffiti art. Focusing on graffiti scenes from São Paulo, Brazil and Santiago de Chile, Chandra Morrison Ariyo shows how practitioners use metagraffiti features to influence public perceptions about this artform and its effect on the urban environment.
This innovative visual ethnography examines diverse forms of self-reference and metareference that appear in Latin American graffiti art. Focusing on graffiti scenes from São Paulo, Brazil and Santiago de Chile, Chandra Morrison Ariyo shows how practitioners use metagraffiti features to influence public perceptions about this artform and its effect on the urban environment.
CHANDRA MORRISON ARIYO is a visiting research fellow in the Department of Geography and Environment at the London School of Economics and Political Science.
Inhaltsangabe
Chapter 1: Metagraffiti: Envisioning a Concept Chapter 2: Urban Image: Painting (in) the Latin American City Chapter 3: Signature Wordplay: Self-Naming, Misspelling, and Rewriting the Social Order Chapter 4: Figurative Threat: Stigma Embodiment and Graffiti's Violent Characterization Chapter 5: Reflective Structures: On Murals and Mirroring in the Spatial Imagination Chapter 6: Painting Pollution: Cleaning the City and Recycling Social Values with Street Art Chapter 7: Graffiti Intimacies: Seeing the City in Color
Chapter 1: Metagraffiti: Envisioning a Concept Chapter 2: Urban Image: Painting (in) the Latin American City Chapter 3: Signature Wordplay: Self-Naming, Misspelling, and Rewriting the Social Order Chapter 4: Figurative Threat: Stigma Embodiment and Graffiti's Violent Characterization Chapter 5: Reflective Structures: On Murals and Mirroring in the Spatial Imagination Chapter 6: Painting Pollution: Cleaning the City and Recycling Social Values with Street Art Chapter 7: Graffiti Intimacies: Seeing the City in Color
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