22,99 €
inkl. MwSt.

Versandfertig in über 4 Wochen
  • Broschiertes Buch

The introduction to this edition contains an analysis of the first quarto (including new evidence of its original dating) and a reconsideration of the play's complex relation to the Shakespearean histories that preceded and followed it. Charles R. Forker offers a discussion of Marlowe's use of sources, and presents a new argument for the drama's five-act structure. He delves into the conflicting and controversial opinions concerning the genre and sexual politics of the play, and also includes a full record of the stage history. Forker has collated some 46 editions (including the important,…mehr

Produktbeschreibung
The introduction to this edition contains an analysis of the first quarto (including new evidence of its original dating) and a reconsideration of the play's complex relation to the Shakespearean histories that preceded and followed it. Charles R. Forker offers a discussion of Marlowe's use of sources, and presents a new argument for the drama's five-act structure. He delves into the conflicting and controversial opinions concerning the genre and sexual politics of the play, and also includes a full record of the stage history. Forker has collated some 46 editions (including the important, rare and usually ignored editions of Broughton and Oxberry in 1818). The appendices provide substantive variants from the Broughton and Oxberry texts as well as extracts from the sources.
Autorenporträt
Christopher Marlowe, also known as Kit Marlowe (/'m¿¿rlo¿/; baptised 26 February 1564 - 30 May 1593), was an English playwright, poet and translator of the Elizabethan era.[1] Marlowe was the foremost Elizabethan tragedian of his day.[2] He greatly influenced William Shakespeare, who was born in the same year as Marlowe and who rose to become the pre-eminent Elizabethan playwright after Marlowe's mysterious early death. Marlowe's plays are known for the use of blank verse and their overreaching protagonists. Some scholars believe that a warrant was issued for Marlowe's arrest on 18 May 1593.[3] No reason was given for it, though it was thought to be connected to allegations of blasphemy-a manuscript believed to have been written by Marlowe was said to contain "vile heretical conceipts". On 20 May, he was brought to the court to attend on the Privy Council for questioning. There is no record of their having met that day and his being commanded to attend on them each day thereafter, until "licensed to the contrary". Ten days later, he was stabbed to death by Ingram Frizer. Whether or not the stabbing was connected to his arrest remains unknown Marlowe was born in Canterbury to shoemaker John Marlowe and his wife Catherine. His date of birth is not known but he was baptised on 26 February 1564 and is likely to have been born a few days before, making him two months older than William Shakespeare, who was baptised on 26 April 1564 in Stratford-upon-Avon. Marlowe attended The King's School in Canterbury (where a house is named after him) and Corpus Christi College, Cambridge, where he studied on a scholarship and received his Bachelor of Arts degree in 1584.[5] In 1587, the university hesitated to award him his Master of Arts degree because of a rumour that he intended to go to the English college at Rheims, presumably to prepare for ordination as a Roman Catholic priest. His degree was awarded on schedule when the Privy Council intervened on his behalf, commending him for his "faithful dealing" and "good service" to the Queen.[6] The nature of Marlowe's service was not specified by the Council, but its letter to the Cambridge authorities has provoked much speculation, notably the theory that Marlowe was operating as a secret agent working for Sir Francis Walsingham.[7] No direct evidence supports this theory, although the Council's letter itself is an evidence that Marlowe had served the government in some secret capacity