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Argues that the Victorian interest in the medieval past was far more than a revolt against modern civilisation.
It is a striking paradox of nineteenth-century England that as it became the first industrial nation, it became increasingly fascinated by its preindustrial past and, in particular, its medieval inheritance. The preservation of that inheritance was a major cultural achievement of Victorian England, one that resonates in contemporary historic preservationist movements still so common throughout England. This is a study not of an elite of artists and thinkers but of broad cultural…mehr

Produktbeschreibung
Argues that the Victorian interest in the medieval past was far more than a revolt against modern civilisation.

It is a striking paradox of nineteenth-century England that as it became the first industrial nation, it became increasingly fascinated by its preindustrial past and, in particular, its medieval inheritance. The preservation of that inheritance was a major cultural achievement of Victorian England, one that resonates in contemporary historic preservationist movements still so common throughout England. This is a study not of an elite of artists and thinkers but of broad cultural activities, such as local archaeology and tourism, historic preservation and restoration, and architectural historianism. Professor Dellheim argues that the interest in the medieval past was far more than a revolt against modern civilization. The concern with the past had both 'progressive' as well as 'conservative' uses and expressed and reflected both provincial and national consciousness. In its broadest sense, the book shows how the Victorians reworked tradition to suit the needs of their unprecedented society.

Table of content:
List of illustrations; preface; 1. The paradoxes of progress; 2. The vision of history; 3. The preservation of the past; 4. The architecture of the industrial city; 5. Epilogue: traditionalism and industrialism; Abbreviations used in notes; Notes; Bibliography essay; Index.
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