Analyzes the complex engagements with issues of identity through close readings of a significant performance, or series of performances, by four contemporary women artists Cherise Smith is Assistant Professor of Art History at the University of Texas, Austin.
Analyzes the complex engagements with issues of identity through close readings of a significant performance, or series of performances, by four contemporary women artistsCherise Smith is Assistant Professor of Art History at the University of Texas, Austin.
Preface ix Acknowledgments xiii Introduction 1 1. "The Politics of My Position": Adrian Piper and Mythic Being 27 2. The Other "Other": Eleanor Antin and the Performance of Blackness 79 3. "Other-Oriented" Performance: Anna Deavere Smith and Twilight: Los Angeles 135 4. Nikki S. Lee's Projects and the Repackaging of the Politics of Identity 189 Conclusion 233 Notes 243 Bibliography 277 Index 293
Preface ix Acknowledgments xiii Introduction 1 1. "The Politics of My Position": Adrian Piper and Mythic Being 27 2. The Other "Other": Eleanor Antin and the Performance of Blackness 79 3. "Other-Oriented" Performance: Anna Deavere Smith and Twilight: Los Angeles 135 4. Nikki S. Lee's Projects and the Repackaging of the Politics of Identity 189 Conclusion 233 Notes 243 Bibliography 277 Index 293
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