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Master's Thesis from the year 2014 in the subject English Language and Literature Studies - Literature, grade: 9,0, Universitat Autònoma de Barcelona (Facultat de Lletres), course: Master in Advanced English Studies, language: English, abstract: This thesis examines how Moreton's text operates within the framework of postmemory and principally aims to demonstrate that this concept may be broadened beyond its original contextual location of second generation Holocaust writings to the descendants of British ex-servicemen. A close reading of the narrative further hints at its inclusion into the…mehr

Produktbeschreibung
Master's Thesis from the year 2014 in the subject English Language and Literature Studies - Literature, grade: 9,0, Universitat Autònoma de Barcelona (Facultat de Lletres), course: Master in Advanced English Studies, language: English, abstract: This thesis examines how Moreton's text operates within the framework of postmemory and principally aims to demonstrate that this concept may be broadened beyond its original contextual location of second generation Holocaust writings to the descendants of British ex-servicemen. A close reading of the narrative further hints at its inclusion into the emerging sub-genre of European post-väterliteratur, as Moreton's contemporary standpoint and generational distance allows new insights into the events of the war and a fresh understanding of its generation. Finally, this study of Moreton's work illustrates how this emerging sub-genre distinguishes itself from that of the Holocaust not only through its representation of the small human truths behind the grand historical events, but also how its writers necessarily and overtly articulate their archival research in order to subvert existing myths, further cultural memory of hitherto unknown histories and to discover the truths behind their family's post-war troubles. "My Father was a Hero: The True Story of a Man, a Boy and the Silence between them"(2004) is Cole Moreton's autobiographical account of his quest not only to uncover the untold stories of his grandfather's participation in World War Two and difficulties after demobilization, but also to trace the war's lingering effects through three generations of male family members. Furthermore, in a stylistic blend of history, fiction, self-conscious archival research and confessional memoir, Moreton explores the notions of heroism, the creation of collective mythologies surrounding World War Two and the reliability of memory.
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Autorenporträt
Christina Howes lectures in English Language and Literature at the Autonomous University of Barcelona and at the International University of Catalonia. She has been teaching in Catalonia since 1985 in a wide variety of educational contexts and in Higher Education since the mid-1990s. She holds an M.A in Applied Linguistics as well as in English Literature. She completed her PhD in English Literature with a thesis on the works of contemporary British writer Rachel Seiffert in 2018. Her research interests focus on contemporary war literature, the use of spatial imagery and the philosophy of home in contemporary fiction.