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C. Bode: Voice, Text, Mediality - Romantic Self-PositioningA. Esterhammer: Romantic Voices, Romantic CursesA. Harding: Rehabilitating Romantic Poetic VoiceM. Class: Self-consciousness in Wordsworth's The PreludeJ. Gurr: Conflicting Evaluations of Sense Perceptions in The PreludeC. Reinfandt: World and VoiceK. Merten: Plays on the Essential Passions of MenUte Berns: The Politics of RevolutionH. Grundmann: Coleridge's Teleology of LanguageM. Procházka: Between Hoax and Ideology: Biographia Literaria, Ch. 13S. Allan: Ghostly VoicesR. Karl: The Powers of Metaphor and Self-DivestmentM. Bruhn:…mehr

Produktbeschreibung
C. Bode: Voice, Text, Mediality - Romantic Self-PositioningA. Esterhammer: Romantic Voices, Romantic CursesA. Harding: Rehabilitating Romantic Poetic VoiceM. Class: Self-consciousness in Wordsworth's The PreludeJ. Gurr: Conflicting Evaluations of Sense Perceptions in The PreludeC. Reinfandt: World and VoiceK. Merten: Plays on the Essential Passions of MenUte Berns: The Politics of RevolutionH. Grundmann: Coleridge's Teleology of LanguageM. Procházka: Between Hoax and Ideology: Biographia Literaria, Ch. 13S. Allan: Ghostly VoicesR. Karl: The Powers of Metaphor and Self-DivestmentM. Bruhn: Keats's Wretched TasteN. Lennartz: Apocalyptic VoicesN. Oueijan: Echoes from the Orient in Romantic VisionsN. Roe: Leigh Hunt's JuveniliaM. O'Neill: Romantic Poetry and Some Twentieth-Century Heirs
Autorenporträt
Katharina Rennhak ist Wissenschaftliche Assistentin am Institut für Englische Philologie der LMU München.