The City Rehearsed offers a new perspective on printed architecture in early modern Europe through the lens of Hans Vredeman de Vries. It focuses on the active role his prints played in the life of urban readers outside of a narrowly-defined "Flemish" architectural history. This is a study with clear interest for historians of art and the built environment.
The City Rehearsed offers a new perspective on printed architecture in early modern Europe through the lens of Hans Vredeman de Vries. It focuses on the active role his prints played in the life of urban readers outside of a narrowly-defined "Flemish" architectural history. This is a study with clear interest for historians of art and the built environment.
Christopher P. Heuer is Assistant Professor in the Department of Art and Archaeology at Princeton University.
Inhaltsangabe
Introduction: Iconoclasm's Faces Part 1: Performances of Order 1. Unbuilt Architecture in the World of Things 2. Antwerp: The City Rehearsed 3. Guidebooks to Chaos Part 2: Perspective and Exile 4. The Vanishing Self 5. Hidden Terrors: The Perspective (1604-5) Epilogue: Vredeman de Vries and the Modern
Introduction: Iconoclasm's Faces Part 1: Performances of Order 1. Unbuilt Architecture in the World of Things 2. Antwerp: The City Rehearsed 3. Guidebooks to Chaos Part 2: Perspective and Exile 4. The Vanishing Self 5. Hidden Terrors: The Perspective (1604-5) Epilogue: Vredeman de Vries and the Modern
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