Printed Drama and Political Instability in Mid-Seventeenth Century Britain: The Literary Politics of Resistance and Distraction in Plays and Entertainments from 1649-1658 describes the function of printed drama in 1650s Britain.
Printed Drama and Political Instability in Mid-Seventeenth Century Britain: The Literary Politics of Resistance and Distraction in Plays and Entertainments from 1649-1658 describes the function of printed drama in 1650s Britain.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Christopher Orchard is a professor in the English department at Indiana University of Pennsylvania where he specializes in Renaissance literature, literature of the 1640s and 1650s, and Shakespeare. He has published numerous articles on Milton, Katherine Philips, and writing of the 1650s.
Inhaltsangabe
Acknowledgements; Introduction: The politics of printed drama in 1650s Britain; Chapter 1: The ambivalent political messaging of Royalist drama, 1649-1650; Chapter 2: Poetics as political policy: the republic's early response to Royalist drama, 1649-1651; Chapter 3: "A floating unbalanced people": Drama and the instability of the republican state, 1651-1653; Chapter 4: They "always speak things as they would have them": The failures of aspirational royalist drama, 1651-1653; Chapter 5: Royalist drama, the legitimacy of authority, and social and political unrest in the mid-1650s; Chapter 6: Republics and ethics: The moral probity of protectoral entertainments, 1653-1658; Conclusion: The hijacking of republican poetics; Index
Acknowledgements; Introduction: The politics of printed drama in 1650s Britain; Chapter 1: The ambivalent political messaging of Royalist drama, 1649-1650; Chapter 2: Poetics as political policy: the republic's early response to Royalist drama, 1649-1651; Chapter 3: "A floating unbalanced people": Drama and the instability of the republican state, 1651-1653; Chapter 4: They "always speak things as they would have them": The failures of aspirational royalist drama, 1651-1653; Chapter 5: Royalist drama, the legitimacy of authority, and social and political unrest in the mid-1650s; Chapter 6: Republics and ethics: The moral probity of protectoral entertainments, 1653-1658; Conclusion: The hijacking of republican poetics; Index
Acknowledgements; Introduction: The politics of printed drama in 1650s Britain; Chapter 1: The ambivalent political messaging of Royalist drama, 1649-1650; Chapter 2: Poetics as political policy: the republic's early response to Royalist drama, 1649-1651; Chapter 3: "A floating unbalanced people": Drama and the instability of the republican state, 1651-1653; Chapter 4: They "always speak things as they would have them": The failures of aspirational royalist drama, 1651-1653; Chapter 5: Royalist drama, the legitimacy of authority, and social and political unrest in the mid-1650s; Chapter 6: Republics and ethics: The moral probity of protectoral entertainments, 1653-1658; Conclusion: The hijacking of republican poetics; Index
Acknowledgements; Introduction: The politics of printed drama in 1650s Britain; Chapter 1: The ambivalent political messaging of Royalist drama, 1649-1650; Chapter 2: Poetics as political policy: the republic's early response to Royalist drama, 1649-1651; Chapter 3: "A floating unbalanced people": Drama and the instability of the republican state, 1651-1653; Chapter 4: They "always speak things as they would have them": The failures of aspirational royalist drama, 1651-1653; Chapter 5: Royalist drama, the legitimacy of authority, and social and political unrest in the mid-1650s; Chapter 6: Republics and ethics: The moral probity of protectoral entertainments, 1653-1658; Conclusion: The hijacking of republican poetics; Index
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