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The Definitive Filmmaker's Guide to the Design, Implementation and History and of Motion Picture Optics. From the very basics of "what is a cinema lens" through to a Master's-level understanding of optical design, mechanical design, history, evaluation, care and an in depth survey of over 300 family of cinema lenses from the birth of the movies to today's most advanced optics. 836 pages of information with more than 1,500 photos and illustrations. The book also includes over 2,000 film and TV titles and the lenses used to photograph them. There is no other resource on cinema lenses like it,…mehr

Produktbeschreibung
The Definitive Filmmaker's Guide to the Design, Implementation and History and of Motion Picture Optics. From the very basics of "what is a cinema lens" through to a Master's-level understanding of optical design, mechanical design, history, evaluation, care and an in depth survey of over 300 family of cinema lenses from the birth of the movies to today's most advanced optics. 836 pages of information with more than 1,500 photos and illustrations. The book also includes over 2,000 film and TV titles and the lenses used to photograph them. There is no other resource on cinema lenses like it, period. The Cine Lens Manual is an introductory textbook to optics, an advanced text on design, a history book, an encyclopedia of cinema lenses, a field guide to motion picture optics and more. It's perfect for established professionals, aspiring filmmakers, students, historians, journalists, equipment house technicians and so many more. The Cine Lens Manual answers every question you ever wanted to know about cinema style optics and even more you didn't even know you wanted to ask!
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Autorenporträt
Jay Holben is an independent director and producer in Los Angeles. A former ("recovering") cinematographer, he is an associate member of the American Society of Cinematographers, the chair of the ASC's Motion Imaging Technology Council's Lens Committee, and a technical contributing editor for American Cinematographer magazine. He is an international lecturer on the art and science of filmmaking and serves as a faculty instructor for the Global Cinematography Institute, a school started by the late Academy Award winning cinematographer, Vilmos Zsigmond, ASC. He is the author of two previous books on cinematography: A Shot in the Dark: A Creative DIY Guide to Cinematic Lighting on (Almost) No Budget and Behind the Lens: Dispatches from the Cinematographic Trenches. Christopher Probst, ASC is a working cinematographer and an active member of the American Society of Cinematographers. He is also a self-professed lens junkie and an all-things technical geek. He served as the technical editor of American Cinematographer magazine for over 20 years and has taught/lectured about cinematography for the ASC's Masterclass, the Camerimage festival and the Global Cinematography Institute. Best known for his ASC-Award nominated work on director David Fincher's Netflix series Mindhunter, his extensive body of work in music videos spans hundreds of clips for artists such as Ariana Grande, Taylor Swift, Eminem, Billie Eilish, Shakira, Lana Del Rey, Kelly Clarkson, Black Eyed Peas, Katy Perry, Pussycat Dolls, Jay-Z and Muse. (In this arena alone, his work has amassed more than 35 billion views on YouTube.) He has also shot thousands of commercial ads for clients such as Apple, Samsung, FOX Sports, Turkish Airlines, LG, Johnnie Walker, Adidas, Lexus, Mercedes, Infiniti, BMW, and Ford. Probst is also well-versed in narrative and has photographed the feature films Detention for Sony Pictures, Fire With Fire, and the sci-fi actioner, Beyond Skyline.