A bittersweet and peculiar exploration of love, loss, and pop culture set on the fringe of Appalachia, Where We Let Go illuminates the beauty of grief even as it wallows around in the heaviness of love. This is a bold, visceral portrait of the landscape of grief; it tackles the things we collect and the graceful and ugly ways in which we live among these objects. It catalogues the small rooms and wide-open spaces in which we live with and love each other, and it mourns the moments and memories we're left with when we're the last ones left behind.
A bittersweet and peculiar exploration of love, loss, and pop culture set on the fringe of Appalachia, Where We Let Go illuminates the beauty of grief even as it wallows around in the heaviness of love. This is a bold, visceral portrait of the landscape of grief; it tackles the things we collect and the graceful and ugly ways in which we live among these objects. It catalogues the small rooms and wide-open spaces in which we live with and love each other, and it mourns the moments and memories we're left with when we're the last ones left behind.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Cindy Kelly Benabderrahman lives in Amsterdam, Ohio in a mid-nineteenth century American Pyramidal coal company house with her husband, Oualid. She works full time in the telecommunications industry and part time as a freelancer. She is a mixed media artist and writer, and her work has been published in journals including Red Eft Review, Orange Room Review, New Myths, and Red Fez Review. She holds a Master of Science in Reading Education from Franciscan University of Steubenville and a Bachelor of Arts in English with The Writing Minor from Kent State University. She was the editor-in-chief at Amsterdam Press, where she edited the quarterly magazine Plain Spoke and the Gobpile Chapbook Series. She enjoys being an aunt and researching her Melungeon ancestry.
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