This book develops new and innovative methods for understanding the cultural significance of places such as World Heritage listed Sydney Opera House. By connecting participatory media, visual culture and social value, architectural academic Garduño Freeman contributes to a growing body of scholarship on the popular reception of architecture.
This book develops new and innovative methods for understanding the cultural significance of places such as World Heritage listed Sydney Opera House. By connecting participatory media, visual culture and social value, architectural academic Garduño Freeman contributes to a growing body of scholarship on the popular reception of architecture.
Cristina Garduño Freeman is emerging as a leader in the participatory culture and social value of iconic architecture. Her interdisciplinary work sits at the intersection of heritage, architecture and digital media. Currently, she is a Postdoctoral Research Fellow in the Australian Centre for Architectural History, Urban and Cultural Heritage (ACAHUCH) at the University of Melbourne, Australia. This is her first book.
Inhaltsangabe
Introduction 1. World Heritage Inscription and Social Value 2. Social Value and Iconicity 3. Participatory Culture and Socio-Visual Value 4. Mediating Identity: Telling and Critiquing 5. Mediating Experience: Making and Trading 6. Mediating Time: Visiting and Capturing 7. Entangled Significance: Personal Tributes 8. Recognising Networked Significance in Heritage
Introduction 1. World Heritage Inscription and Social Value 2. Social Value and Iconicity 3. Participatory Culture and Socio-Visual Value 4. Mediating Identity: Telling and Critiquing 5. Mediating Experience: Making and Trading 6. Mediating Time: Visiting and Capturing 7. Entangled Significance: Personal Tributes 8. Recognising Networked Significance in Heritage
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