Composer, pianist, editor, writer, and pedagogue Mario Lavista (1943-2021) was a central figure of the cultural and artistic scene in Mexico and one of the leading Ibero-American composers of his generation. In this book, author Ana R. Alonso-Minutti explores the intertextual connections between the multiple texts--musical or otherwise--that are present in Lavista's music. Implementing an innovative mosaic of methodologies, the book offers both a fascinating look at Lavista's compositional career and a contextual panorama of the contemporary music scene in Mexico.
Composer, pianist, editor, writer, and pedagogue Mario Lavista (1943-2021) was a central figure of the cultural and artistic scene in Mexico and one of the leading Ibero-American composers of his generation. In this book, author Ana R. Alonso-Minutti explores the intertextual connections between the multiple texts--musical or otherwise--that are present in Lavista's music. Implementing an innovative mosaic of methodologies, the book offers both a fascinating look at Lavista's compositional career and a contextual panorama of the contemporary music scene in Mexico.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ana R. Alonso-Minutti is Associate Professor of Music at the University of New Mexico. Her scholarship focuses on experimental and avant-garde expressions and music traditions from Mexico and the U.S.-Mexico border. Coeditor of Experimentalisms in Practice: Music Perspectives from Latin America (Oxford University Press, 2018). She has published extensively on the music of Mario Lavista and serves as curatorial advisor of the Mediateca Lavista.
Inhaltsangabe
* List of Figures * List of Musical Examples * Acknowledgements * Chapter 1: Introduction: The Mirrors of Sounds in Lavista's Music * Chapter 2: Embracing a Cosmopolitan Ideal * Chapter 3: Permuting Cage, Permuting Music * Chapter 4: Poetic Encounters and Instrumental Affairs * Chapter 5: Of Birds, Ballerinas, and Other Creatures * Chapter 6: Mirrors of a Superior Order: Tradition, Memory, and Spirituality * Chapter 7: The Composer as Intellectual: Mario Lavista and El Colegio Nacional * Chapter 8: Epilogue: Nihil novum sub sole: Perpetual Mirrors * Appendix - Chronological List of Works of Mario Lavista * Bibliography * Index
* List of Figures * List of Musical Examples * Acknowledgements * Chapter 1: Introduction: The Mirrors of Sounds in Lavista's Music * Chapter 2: Embracing a Cosmopolitan Ideal * Chapter 3: Permuting Cage, Permuting Music * Chapter 4: Poetic Encounters and Instrumental Affairs * Chapter 5: Of Birds, Ballerinas, and Other Creatures * Chapter 6: Mirrors of a Superior Order: Tradition, Memory, and Spirituality * Chapter 7: The Composer as Intellectual: Mario Lavista and El Colegio Nacional * Chapter 8: Epilogue: Nihil novum sub sole: Perpetual Mirrors * Appendix - Chronological List of Works of Mario Lavista * Bibliography * Index
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