Engaging with fiction and history- and reading both genres as texts permeated with early modern anxieties, desires and apprehensions- this collection scrutinizes the historical intersection of early modern European superstitions and English stage literature. By highlighting the connection between historical-literary and literary-dramatic culture, this volume tests and explores the current scholarly theory that performance opened the way to disbelief.
Engaging with fiction and history- and reading both genres as texts permeated with early modern anxieties, desires and apprehensions- this collection scrutinizes the historical intersection of early modern European superstitions and English stage literature. By highlighting the connection between historical-literary and literary-dramatic culture, this volume tests and explores the current scholarly theory that performance opened the way to disbelief.
Verena Theile is Assistant Professor of Early Modern Literature at North Dakota State University, USA. Andrew D. McCarthy is Assistant Professor of Early Modern Literature at the University of Tennessee-Chattanooga, USA.
Inhaltsangabe
Foreword: Something of the Night Introduction: Superstitions Literature History and the Creative Imagination Part 1 Early Modern Superstitions: Religion Reformation and the History of Fear 1 Popular Magic Witchcraft and Lutheran Religious Literature 2 "Let not Phantasies Misgouerne You": Entertainment as Religious Polemic (The Case of Barnabe Riche) 3 Early Modern Literary Engagements with Fear Witchcraft the Devil and that Damned Dr. Faustus Part 2 Witchcraft on Trial 4 The Supernatural on the Stage: An Analysis of Early Modern Literary and Theatrical Representations of Lancashire's Witches and Demons 5 Vision on Trial in The Late Lancashire Witches 6 The Joint-Stool on the Early Modern Stage: Witches Wives and Murderers in Macbeth and Arden of Faversham vi Staging the Superstitions of Early Modern Europe 7 The Medicalization of "Midnight Hags": Perverting Post-Menopausal and Political Motherhood in Macbeth Part 3 Stage Dissections 8 "Such a Sinner of His Memory": Prospero Bruno and the Failures of Neo-Platonic Memory Magic 9 Prophecies Dreams and the Plays of John Lyly 10 Travelers' Tales: Magic and Superstition on Early Modern European and London Stages
Foreword: Something of the Night Introduction: Superstitions Literature History and the Creative Imagination Part 1 Early Modern Superstitions: Religion Reformation and the History of Fear 1 Popular Magic Witchcraft and Lutheran Religious Literature 2 "Let not Phantasies Misgouerne You": Entertainment as Religious Polemic (The Case of Barnabe Riche) 3 Early Modern Literary Engagements with Fear Witchcraft the Devil and that Damned Dr. Faustus Part 2 Witchcraft on Trial 4 The Supernatural on the Stage: An Analysis of Early Modern Literary and Theatrical Representations of Lancashire's Witches and Demons 5 Vision on Trial in The Late Lancashire Witches 6 The Joint-Stool on the Early Modern Stage: Witches Wives and Murderers in Macbeth and Arden of Faversham vi Staging the Superstitions of Early Modern Europe 7 The Medicalization of "Midnight Hags": Perverting Post-Menopausal and Political Motherhood in Macbeth Part 3 Stage Dissections 8 "Such a Sinner of His Memory": Prospero Bruno and the Failures of Neo-Platonic Memory Magic 9 Prophecies Dreams and the Plays of John Lyly 10 Travelers' Tales: Magic and Superstition on Early Modern European and London Stages
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