Medievalisms surveys the critical field and sets the boundaries for future study, providing an essential background for literary study from the Medieval period through to the twenty-first century, exploring: * The influence of medieval cultural concepts on key authors such as Shakespeare, Dante, Chaucer, George Eliot and Mark Twain * The continued appeal of medieval cultural figures such as King Arthur and Robin Hood * The influence of the medieval on disciplines such as politics, music, film, and art.
Medievalisms surveys the critical field and sets the boundaries for future study, providing an essential background for literary study from the Medieval period through to the twenty-first century, exploring: * The influence of medieval cultural concepts on key authors such as Shakespeare, Dante, Chaucer, George Eliot and Mark Twain * The continued appeal of medieval cultural figures such as King Arthur and Robin Hood * The influence of the medieval on disciplines such as politics, music, film, and art.
Tison Pugh is Professor of English at the University of Central Florida, USA. Angela Jane Weisl is Professor of English at Seton Hall University, USA.
Inhaltsangabe
1. Medievalisms: The Magic of the Middle Ages 2. A Case Study of Dante: Naked Icons of Medievalism 3. Literary Medievalisms: Inventing Inspirations 4. "Medieval" Literature for Children and Young Adults: Fantasies of Innocence 5. King Arthur's and Robin Hood's Adventures in Medievalism: Mythic Masculinities (and Magical Femininities) 6. Movie Medievalisms: Five (or Six) Ways of Looking at an Anachronism 7. Medievalisms in Music and the Arts: Longing for Transcendence 8. Experiential Medievalisms: Reliving the Always Modern Middle Ages 9. Political Medievalisms: The Darkness of the Dark Ages
1. Medievalisms: The Magic of the Middle Ages 2. A Case Study of Dante: Naked Icons of Medievalism 3. Literary Medievalisms: Inventing Inspirations 4. "Medieval" Literature for Children and Young Adults: Fantasies of Innocence 5. King Arthur's and Robin Hood's Adventures in Medievalism: Mythic Masculinities (and Magical Femininities) 6. Movie Medievalisms: Five (or Six) Ways of Looking at an Anachronism 7. Medievalisms in Music and the Arts: Longing for Transcendence 8. Experiential Medievalisms: Reliving the Always Modern Middle Ages 9. Political Medievalisms: The Darkness of the Dark Ages
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