The first comprehensive study of the relationship between music and language, this book challenges the widespread belief that music and language are processed independently. It argues that music and language share deep and critical connections, and that comparative research provides a powerful way to study the cognitive and neural mechanisms underlying these uniquely human abilities.
The first comprehensive study of the relationship between music and language, this book challenges the widespread belief that music and language are processed independently. It argues that music and language share deep and critical connections, and that comparative research provides a powerful way to study the cognitive and neural mechanisms underlying these uniquely human abilities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Aniruddh D. Patel is past president of the Society for Music Perception and Cognition and is a Professor in the Department of Psychology at Tufts University.
Inhaltsangabe
1: Introduction 2: Sound Elements: Pitch and Timbre 2.1: Introduction 2.2: Musical Sound Systems 2.3: Linguistic Sound Systems 2.4: Sound Category Learning as a Key Link 2.5: Conclusion Appendixes 3: Rhythm 3.1: Introduction 3.2: Rhythm in Music 3.3: Rhythm in Speech 3.4: Interlude: Rhythm in Poetry and Song 3.5: Non-Periodic Aspects of Rhythm as a Key Link 3.6: Conclusion Appendixes 4: Melody 4.1: Introduction 4.2: Melody in Music: Comparisons to Speech 4.3: Speech Melody: Links to Music 4.4: Interlude: Musical and Linguistic Melody in Song 4.5: Melodic Statistics and Melodic Contour as Key Links 4.6: Conclusion Appendix 5: Syntax 5.1: Introduction 5.2: The Structural Richness of Musical Syntax 5.3: Formal Differences and Similarities between Musical and Linguistic Syntax 5.4: Neural Resources for Syntactic Integration as a Key Link 5.5: Conclusion 6: Meaning 6.1: Introduction 6.2: A Brief Taxonomy of Musical Meaning 6.3: Linguistic Meaning in Relation to Music 6.4: Interlude: Linguistic and Musical Meaning in Song 6.5: The Expression and Appraisal of Emotion as a Key Link 6.6: Conclusion 7: Evolution 7.1: Introduction 7.2: Language and Natural Selection 7.3: Music and Natural Selection 7.4: Music and Evolution: Neither Adaptation nor Frill 7.5: Beat-Based Rhythm Processing as a Key Research Area 7.6: Conclusion Appendix Afterword References List of Sound Examples Lis of Credits Author Index Subject Index
1: Introduction 2: Sound Elements: Pitch and Timbre 2.1: Introduction 2.2: Musical Sound Systems 2.3: Linguistic Sound Systems 2.4: Sound Category Learning as a Key Link 2.5: Conclusion Appendixes 3: Rhythm 3.1: Introduction 3.2: Rhythm in Music 3.3: Rhythm in Speech 3.4: Interlude: Rhythm in Poetry and Song 3.5: Non-Periodic Aspects of Rhythm as a Key Link 3.6: Conclusion Appendixes 4: Melody 4.1: Introduction 4.2: Melody in Music: Comparisons to Speech 4.3: Speech Melody: Links to Music 4.4: Interlude: Musical and Linguistic Melody in Song 4.5: Melodic Statistics and Melodic Contour as Key Links 4.6: Conclusion Appendix 5: Syntax 5.1: Introduction 5.2: The Structural Richness of Musical Syntax 5.3: Formal Differences and Similarities between Musical and Linguistic Syntax 5.4: Neural Resources for Syntactic Integration as a Key Link 5.5: Conclusion 6: Meaning 6.1: Introduction 6.2: A Brief Taxonomy of Musical Meaning 6.3: Linguistic Meaning in Relation to Music 6.4: Interlude: Linguistic and Musical Meaning in Song 6.5: The Expression and Appraisal of Emotion as a Key Link 6.6: Conclusion 7: Evolution 7.1: Introduction 7.2: Language and Natural Selection 7.3: Music and Natural Selection 7.4: Music and Evolution: Neither Adaptation nor Frill 7.5: Beat-Based Rhythm Processing as a Key Research Area 7.6: Conclusion Appendix Afterword References List of Sound Examples Lis of Credits Author Index Subject Index
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