An ethnographic study of music, performance, migration, and circulation, Singing Across Divides examines how forms of love and intimacy are linked to changing conceptions of political solidarity and forms of belonging, through the lens of Nepali dohori song. The book deals with intimate politics, connecting the intimate relationships discussed and developed through dohori songs with national-level debates about gender, caste, ethnicity, class, and their intersections.
An ethnographic study of music, performance, migration, and circulation, Singing Across Divides examines how forms of love and intimacy are linked to changing conceptions of political solidarity and forms of belonging, through the lens of Nepali dohori song. The book deals with intimate politics, connecting the intimate relationships discussed and developed through dohori songs with national-level debates about gender, caste, ethnicity, class, and their intersections.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Anna Stirr is Assistant Professor of Asian Studies at the University of Hawaii at Manoa. She is an ethnomusicologist specializing in music of the Himalayan region. She received her PhD in Ethnomusicology from Columbia University, and has been part of music, anthropology, and Asian Studies departments at Oxford University and Leiden University. She is a performer as well as a scholar of lok dohori, and sings and plays several instruments. She is the 2016 recipient of the Ali Miyan Prize in Folklore for her research and performance of Nepali folk music.
Inhaltsangabe
* Contents * Preface * Note on the Text * List of Figures * Introduction * 1. Tending the Flower Garden: Legacies of Panchayat Musical Nationalism * 2. Heading Home: Festival Dohori in a Hill Village * 3. Songs with Consequences? Songfests and Binding Dohori Contests in the Rural Hills * 4. Sounding and Staging Village Nepal * 5. Professional Dohori and Economies of Honor * 6. Love, Solidarity, and Sociopolitical Change * 7. Finding a Place as a Woman Alone: Violence, Storytelling, and World-Making in Song * Conclusion * Bibliography * Discography * Notes * Index
* Contents * Preface * Note on the Text * List of Figures * Introduction * 1. Tending the Flower Garden: Legacies of Panchayat Musical Nationalism * 2. Heading Home: Festival Dohori in a Hill Village * 3. Songs with Consequences? Songfests and Binding Dohori Contests in the Rural Hills * 4. Sounding and Staging Village Nepal * 5. Professional Dohori and Economies of Honor * 6. Love, Solidarity, and Sociopolitical Change * 7. Finding a Place as a Woman Alone: Violence, Storytelling, and World-Making in Song * Conclusion * Bibliography * Discography * Notes * Index
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