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"This is not a book about miraculous images of the Virgin Mary, but rather about their representations in French illuminated manuscripts from ca. 1250 to ca. 1450. Illustrations such as these point to the ubiquity of local miraculous Marian images in devotional practices from the thirteenth to the fifteenth century in French-speaking regions. This book examines in systematic fashion a large quantity of images, mostly unpublished, from the various types of texts devoted to Marian miracles. It then analyzes the depiction of their materiality and the animated miracles they perform, and traces…mehr

Produktbeschreibung
"This is not a book about miraculous images of the Virgin Mary, but rather about their representations in French illuminated manuscripts from ca. 1250 to ca. 1450. Illustrations such as these point to the ubiquity of local miraculous Marian images in devotional practices from the thirteenth to the fifteenth century in French-speaking regions. This book examines in systematic fashion a large quantity of images, mostly unpublished, from the various types of texts devoted to Marian miracles. It then analyzes the depiction of their materiality and the animated miracles they perform, and traces their evolution from the earliest narratives of Marian miracles written in Old French through to the Burgundian court of the late Middle Ages."--
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Autorenporträt
Anna Russakoff received her doctorate from the Institute of Fine Arts, New York University. She is currently Associate Professor and Chair of Art History and Fine Arts at the American University of Paris. She has published numerous articles and book reviews on Gothic illuminated manuscripts and related art forms, and is co-editor, with Kyunghee Pyun, of Jean Pucelle: Innovation and Collaboration in Manuscript Painting (2013) and, with Irene Fabry-Tehranchi, of L'Humain et l'Animal dans la France medievale (XIIe-XVe s.) / Human and Animal in Medieval France (12th-15th c.) (2014).